“Oh, if only he had taken me for a ride in the taxicab!” She bubbled again with merriment.
Suddenly she sprang up, as if inspired, and dashed into another room, a study. She came back with pen and ink, and with a celerity that came of long practise, drew five straight lines across the faint violet face of the bank-note. Within these lines she made little dots at the top and bottom of stubby perpendicular strokes, and strange interlineal hieroglyphics, and sweeping curves, all of which would have puzzled an Egyptologist if he were unused to the ways of musicians. Carefully she dried the composition, and then put the note away. Some day she would confound him by returning it.
A little later her fingers were moving softly over the piano keys; melodies in minor, sad and haunting and elusive, melodies that had never been put on paper and would always be her own: in them she might leap from comedy to tragedy, from laughter to tears, and only she would know. The midnight adventure was forgotten, and the hero of it, too. With her eyes closed and her lithe body swaying gently, she let the old weary pain in her heart take hold again.
CHAPTER III
THE BEAUTIFUL TIGRESS
Flora Desimone had been born in a Calabrian peasant’s hut, and she had rolled in the dust outside, yelling vigorously at all times. Specialists declare that the reason for all great singers coming from lowly origin is found in this early development of the muscles of the throat. Parents of means employ nurses or sedatives to suppress or at least to smother these infantile protests against being thrust inconsiderately into the turmoil of human beings. Flora yelled or slept, as the case might be; her parents were equally indifferent. They were too busily concerned with the getting of bread and wine. Moreover, Flora was one among many. The gods are always playing with the Calabrian peninsula, heaving it up here or throwing it down there: il terremoto, the earthquake, the terror. Here nature tinkers vicariously with souls; and she seldom has time to complete her work. Constant communion with death makes for callosity of feeling; and the Calabrians and the Sicilians are the cruellest among the civilized peoples. Flora was ruthless.
She lived amazingly well in the premier of an apartment-hotel in the Champs-Elysées. In England and America she had amassed a fortune. Given the warm beauty of the Southern Italian, the passion, the temperament, the love of mischief, the natural cruelty, the inordinate craving for attention and flattery, she enlivened the nations with her affairs. And she never put a single beat of her heart into any of them. That is why her voice is still splendid and her beauty unchanging. She did not dissipate; calculation always barred her inclination; rather, she loitered about the Forbidden Tree and played that she had plucked the Apple. She had an example to follow; Eve had none.
Men scattered fortunes at her feet as foolish Greeks scattered floral offerings at the feet of their marble gods—without provoking the sense of reciprocity or generosity or mercy. She had worked; ah, no one would ever know how hard. She had been crushed, beaten, cursed, starved. That she had risen to the heights in spite of these bruising verbs in no manner enlarged her pity, but dulled and vitiated the little there was of it. Her mental attitude toward humanity was childish: as, when the parent strikes, the child blindly strikes back. She was determined to play, to enjoy life, to give back blow for blow, nor caring where she struck. She was going to press the juice from every grape. A thousand odd years gone, she would have led the cry in Rome—“Bread and the circus!” or “To the lions!” She would have disturbed Nero’s complacency, and he would have played an obbligato instead of a solo at the burning. And she was malice incarnate. They came from all climes—her lovers—with roubles and lire and francs and shillings and dollars; and those who finally escaped her enchantment did so involuntarily, for lack of further funds. They called her villas Circe’s isles. She hated but two things in the world; the man she could have loved and the woman she could not surpass.