“Yes, they are puppets and jackals, and I am the lion. For all there shall serve my ends. I shall win, and when I do—” He laughed silently. “Well, I am a comely man, and Madame the duchess shall be my wife.”
CHAPTER VI. MADEMOISELLE OF THE VEIL
The public park at night was a revelation to Maurice, who, lonely and restless, strolled over from the hotel in quest of innocent amusement. He was none the worse for his unintended bath; indeed, if anything, he was much the better for it. His imagination was excited. It was not every day that a man could, at one and the same time, fall out of a boat and into the presence of a princess of royal blood.
He tried to remember all he had said to her, but only two utterances recurred to him; yet these caused him an exhilaration like the bouquet of old wine. He had told her that she was beautiful, indirectly, it was true; she had accepted his friendship, also indirectly, it was true. Now the logical sequence of all this was—but he broke into a light laugh. What little vanity he possessed was without conceit. Princesses of royal blood were beyond the reach of logical sequence; and besides, she was to be married on the twentieth of the month.
He followed one of the paths which led to the pavilion. It was a charming scene, radiant with gas lamps, the vivid kaleidoscope of gowns and uniforms. Beautiful faces flashed past him. There were in the air the vague essences of violet, rose and heliotrope. Sometimes he caught the echo of low laughter or the snatch of a gay song. The light of the lamps shot out on the crinkled surface of the lake in tongues of quivering flame, which danced a brave gavot with the phantom stars; and afar twinkled the dipping oars. The brilliant pavilion, which rested partly over land and partly over water, was thronged.
The band was playing airs from the operas of the day, and Maurice yielded to the spell of the romantic music. He leaned over the pavilion rail, and out of the blackness below he endeavored to conjure up the face of Nell (or was it Kate?) who had danced with him at the embassies in Vienna, fenced and ridden with him, till—till—with a gesture of impatience he flung away the end of his cigar.
Memory was altogether too elusive. It was neither Nell nor Kate he saw smiling up at him, nor anybody else in the world but the Princess Alexia, whose eyes were like wine in a sunset, whose lips were as red as the rose of Tours in France, and whose voice was sweeter than that throbbing up from the 'cello. If he thought much more of her, there would be a logical sequence on his side. He laughed again—with an effort—and settled back in his chair to renew his interest in the panorama revolving around him.
“They certainly know how to live in these countries,” he thought, “for all their comic operas. All I need, to have this fairy scene made complete, is a woman to talk to. By George, what's to hinder me from finding one?” he added, seized by the spirit of mischief. He turned his head this way and that. “Ah! doubtless there is the one I'm looking for.”
Seated alone at a table behind him was a woman dressed in gray. Her back was toward him, but he lost none of the beautiful contours of her figure. She wore a gray alpine hat, below the rim of which rebellious little curls escaped, curls of a fine red-brown, which, as they trailed to the nape of the firm white neck, lightened into a ruddy gold. Her delicate head was turned aside, and to all appearances her gaze was directed to the entrance to the pavilion. A heavy blue veil completely obscured her features; though Maurice could see a rose-tinted ear and the shadow of a curving chin and throat, which promised much. To a man there is always a mystery lurking behind a veil. So he rose, walked past her, returned and deliberately sat down in the chair opposite to hers. The fact that gendarmes moved among the crowd did not disturb him.