He had learned from Father Antonio the intention of Agnes to go on a pilgrimage, and he longed to see and talk with her, that he might offer her his protection against dangers which he understood far better than she. It had never even occurred to him that the door for all possible communication would be thus suddenly barred in his face.
"Very well," he said to himself, with a darkening brow, "let them have it their own way here. She must pass through my dominions before she can reach Rome, and I will find a place where I can be heard, without priest or grandmother to let or hinder. She is mine, and I will care for her."
But poor Agnes had the woman's share of the misery to bear, in the fear and self-reproach and distress which every movement of this kind cost her. The involuntary thrill at seeing her lover, at hearing from him, the conscious struggle which it cost her to throw back his gift, were all noted by her accusing conscience as so many sins. The next day she sought again her confessor, and began an entrance on those darker and more chilly paths of penance, by which, according to the opinion of her times, the peculiarly elect of the Lord were supposed to be best trained. Hitherto her religion had been the cheerful and natural expression of her tender and devout nature, according to the more beautiful and engaging devotional forms of her Church. During the year when her confessor had been, unconsciously to himself, led by her instead of leading, her spiritual food had been its beautiful old hymns and prayers, which she found no weariness in often repeating. But now an unnatural conflict was begun in her mind, directed by a spiritual guide in whom every natural and normal movement of the soul had given way before a succession of morbid and unhealthful experiences. From that day Agnes wore upon her heart one of those sharp instruments of torture which in those items were supposed to be a means of inward grace,—a cross with seven steel points for the seven sorrows of Mary. She fasted with a severity which alarmed her grandmother, who in her inmost heart cursed the day that ever she had placed her in the way of saintship.
"All this will just end in spoiling her beauty,—making her as thin as a shadow," said Elsie; "and she was good enough before."
But it did not spoil her beauty, it only changed its character. The roundness and bloom melted away, but there came in their stead that solemn, transparent clearness of countenance, that spiritual light and radiance, which the old Florentine painters gave to their Madonnas.
It is singular how all religious exercises and appliances take the character of the nature that uses them. The pain and penance, which so many in her day bore as a cowardly expedient for averting divine wrath, seemed, as she viewed them, a humble way of becoming associated in the sufferings of her Redeemer. "Jesu dulcis memoria," was the thought that carried a redeeming sweetness with every pain. Could she thus, by suffering with her Lord, gain power like Him to save,—a power which should save that soul so dear and so endangered! "Ah," she thought, "I would give my life-blood, drop by drop, if only it might avail for his salvation!"
[CHAPTER XX]
FLORENCE AND HER PROPHET
It was drawing towards evening, as two travelers, approaching Florence from the south, checked their course on the summit of one of the circle of hills which command a view of the city, and seemed to look down upon it with admiration. One of these was our old friend Father Antonio, and the other the cavalier. The former was mounted on an ambling mule, whose easy pace suited well with his meditative habits; while the other reined in a high-mettled steed, who, though now somewhat jaded under the fatigue of a long journey, showed by a series of little lively motions of his ears and tail, and by pawing the ground impatiently, that he had the inexhaustible stock of spirits which goes with good blood.