Within the church the evening-service is going on, and the soft glory streaming in reveals that dizzying confusion of riches and brightness with which the sensuous and color-loving Italian delights to encircle the shrine of the Heavenly Majesty. Pictured angels in cloudy wreaths smile down from the gold-fretted roofs and over the round, graceful arches; and the floor seems like a translucent sea of precious marbles and gems fused into solid brightness, and reflecting in long gleams and streaks dim intimations of the sculptured and gilded glories above. Altar and shrine are now veiled in that rich violet hue which the Church has chosen for its mourning color; and violet vestments, taking the place of the gorgeous robes of the ecclesiastics, tell the approach of that holy week of sadness when all Christendom falls in penitence at the feet of that Almighty Love once sorrowful and slain for her.
The long-drawn aisles are now full to overflowing with that weird chanting which one hears nowhere but in Rome at this solemn season. Those voices, neither of men nor women, have a wild, morbid energy which seems to search every fibre of the nervous system, and, instead of soothing or calming, to awaken strange yearning agonies of pain, ghostly unquiet longings, and endless feverish, unrestful cravings. The sounds now swell and flood the church as with a rushing torrent of wailing and clamorous supplication,—now recede and moan themselves away to silence in far-distant aisles, like the last faint sigh of discouragement and despair. Anon they burst out from the room, they drop from arches and pictures, they rise like steam from the glassy pavement, and, meeting, mingle in wavering clamors of lamentation and shrieks of anguish. One might fancy lost souls from out the infinite and dreary abysses of utter separation from God might thus wearily and aimlessly moan and wail, breaking into agonized tumults of desire, and trembling back into exhaustions of despair. Such music brings only throbbings and yearnings, but no peace; and yonder, on the glassy floor, at the foot of a crucifix, a poor mortal lies sobbing and quivering under its pitiless power, as if it had wrenched every tenderest nerve of memory, and torn open every half-healed wound of the soul.
When the chanting ceases, he rises slow and tottering, and we see in the wan face turning towards the dim light the well-remembered features of Father Francesco. Driven to despair by the wild, ungovernable force of his unfortunate love, weary of striving, overborne with a hopeless and continually accumulating load of guilt, he had come to Rome to lay down at the feet of heavenly wisdom the burden which he can no longer bear alone; and rising now, he totters to a confessional where sits a holy cardinal to whom has been deputed the office to hear and judge those sins which no subordinate power in the Church is competent to absolve.
Father Francesco kneels down with a despairing, confiding movement, such as one makes, when, after a long struggle of anguish, one has found a refuge; and the churchman within inclining his ear to the grating, the confession begins.
Could we only be clairvoyant, it would be worth our while to note the difference between the two faces, separated only by the thin grating of the confessional, but belonging to souls whom an abyss wide as eternity must forever divide from any common ground of understanding.
On the one side, with ear close to the grate, is a round, smoothly developed Italian head, with that rather tumid outline of features which one often sees in a Roman in middle life, when easy living and habits of sensual indulgence begin to reveal their signs in the countenance, and to broaden and confuse the clear-cut, statuesque lines of early youth. Evidently, that is the head of an easy-going, pleasure-loving man, who has waxed warm with good living, and performs the duties of his office with an unctuous grace as something becoming and decorous to be gone through with. Evidently he is puzzled and half-contemptuous at the revelations which come through the grating in hoarse whispers from those thin, trembling lips. The other man, who speaks with the sweat of anguish beaded on his brow, with a mortal pallor on his thin, worn cheeks, is putting questions to the celestial guide within which seem to that guide the ravings of a crazed lunatic; and yet there is a deadly, despairing earnestness in the appeal that makes an indistinct knocking at the door of his heart, for the man is born of woman, and can feel that somehow or other these are the words of a mighty agony.
He addresses him some words of commonplace ghostly comfort, and gives a plenary absolution. The Capuchin monk rises up and stands meekly wiping the sweat from his brow, the churchman leaves his box, and they meet face to face, when each starts, seeing in the other the apparition of a once well-known countenance.
"What! Lorenzo Sforza!" said the churchman. "Who would have thought it. Don't you remember me?"
"Not Lorenzo Sforza," said the other, a hectic brilliancy flushing his pale cheek; "that name is buried in the tomb of his fathers; he you speak to knows it no more. The unworthy Brother Francesco, deserving nothing of God or man, is before you."
"Oh, come, come!" said the other, grasping his hand in spite of his resistance; "that is all proper enough in its place; but between friends, you know, what's the use? It's lucky we have you here now; we want one of your family to send on a mission to Florence, and talk a little reason into the citizens and the Signoria. Come right away with me to the Pope."