The monk laid them down on the table, his pale cheek flushing with a faint glow of artistic enthusiasm and pride, as he explained to the young man the plan and drawings.
The cavalier listened courteously, but without much apparent interest, till the monk drew from his portfolio a paper and said,—
"This, my Lord, is my poor and feeble conception of the most sacred form of our Lady, which I am to paint for the centre of the shrine."
He laid down the paper, and the cavalier, with a sudden exclamation, snatched it up, looking at it eagerly.
"It is she!" he said; "it is her very self!—the divine Agnes,—the lily flower,—the sweet star,—the only one among women!"
"I see you have recognized the likeness," said the monk, blushing. "I know it hath been thought a practice of doubtful edification to represent holy things under the image of aught earthly; but when any mortal seems especially gifted with a heavenly spirit outshining in the face, it may be that our Lady chooses that person to reveal herself in."
The cavalier was gazing so intently on the picture that he scarcely heard the apology of the monk; he held it up, and seemed to study it with a long admiring gaze.
"You have great skill with your pencil, my father," he said; "one would not look for such things from under a monk's hood."
"I belong to the San Marco in Florence, of which you may have heard," said Father Antonio, "and am an unworthy disciple of the traditions of the blessed Angelico, whose visions of heavenly things are ever before us; and no less am I a disciple of the renowned Savonarola, of whose fame all Italy hath heard before now."
"Savonarola?" said the other, with eagerness,—"he that makes these vile miscreants that call themselves Pope and cardinals tremble? All Italy, all Christendom, is groaning and stretching out the hand to him to free them from these abominations. My father, tell me of Savonarola: how goes he, and what success hath he?"