It is said that a little child once described his appearance in the pulpit by saying, “I saw God there, and I was afraid.”
Soul-growth.
There is a ladder to heaven whose base God has placed in human affections, tender instincts, symbolic feelings, sacraments of love, through which the soul rises higher and higher, refining as she goes, till she outgrows the human, and changes, as she rises, into the image of the divine. At the very top of this ladder, at the threshold of Paradise, blazes dazzling and crystalline that celestial grade where the soul knows self no more, having learned, through a long experience of devotion, how blest it is to lose herself in that eternal Love and Beauty, of which all earthly fairness and grandeur are but the dim type, the distant shadow.
Discipline.
It is said that gardeners sometimes, when they would bring a rose to richer flowering, deprive it, for a time, of light and moisture. Silent and dark it stands, dropping one faded leaf after another, and seeming to go down patiently to death. But when every leaf is dropped, and the plant stands stripped to the uttermost, a new life is even then working in the buds, from which shall spring a tender foliage, and a brighter wealth of flowers. So, often in celestial gardening, every leaf of earthly joy must drop, before a new and divine bloom visits the soul.
Idealizing power of love.
In a refined and exalted nature, it is very seldom that the feeling of love, when once thoroughly aroused, bears any sort of relation to the reality of the object. It is commonly an enkindling of the whole power of the soul’s love for whatever she considers highest and fairest; it is, in fact, the love of something divine and unearthly, which, by a sort of illusion, connects itself with a personality. Properly speaking, there is but one true, eternal object of all that the mind conceives, in this trance of its exaltation. Disenchantment must come, of course; and in a love which terminates in happy marriage, there is a tender and gracious process by which, without shock or violence, the ideal is gradually sunk in the real, which, though found faulty and earthly, is still ever tenderly remembered as it seemed under the morning light of that enchantment.