House and Home Papers / Seventh Edition

by Harriet Beecher Stowe

Well, it was a joyous and bustling day, when, after one of those domestic whirlwinds which the women are fond of denominating house-cleaning, the new Brussels carpet was at length brought in and nailed down, and its beauty praised from mouth to mouth. Our old friends called in and admired, and all seemed to be well, except that I had that light and delicate presage of changes to come which indefinitely brooded over me.

The first premonitory symptom was the look of apprehensive suspicion with which the female senate regarded the genial sunbeams that had always glorified our bow-window.

“This house ought to have inside blinds,” said Marianne, with all the confident decision of youth, “this carpet will be ruined, if the sun is allowed to come in like that.”

“And that dirty little canary must really be hung in the kitchen,” said Jenny; “he always did make such a litter, scattering his seed-chippings about; and he never takes his bath without flirting out some water. And, mamma, it appears to me it will never do to have the plants here. Plants are always either leaking through the pots upon the carpet, or scattering bits of blossoms and dead leaves, or some accident upsets or breaks a pot. It was no matter, you know, when we had the old carpet; but this we really want to have kept nice.”

Mamma stood her ground for the plants,—darlings of her heart for many a year,—but temporized, and showed that disposition towards compromise which is most inviting to aggression.

I confess I trembled; for, of all radicals on earth, none are to be compared to females that have once in hand a course of domestic innovation and reform. The sacred fire, the divine furor, burns in their bosoms, they become perfect Pythonesses, and every chair they sit on assumes the magic properties of the tripod. Hence the dismay that lodges in the bosoms of us males at the fateful spring and autumn seasons, denominated house-cleaning. Who can say whither the awful gods, the prophetic fates, may drive our fair household divinities; what sins of ours may be brought to light; what indulgences and compliances, which uninspired woman has granted in her ordinary mortal hours, may be torn from us? He who has been allowed to keep a pair of pet slippers in a concealed corner, and by the fireside indulged with a chair which he might, ad libitum, fill with all sorts of pamphlets and miscellaneous literature, suddenly finds himself reformed out of knowledge, his pamphlets tucked away into pigeon-holes and corners, and his slippers put in their place in the hall, with, perhaps, a brisk insinuation about the shocking dust and disorder that men will tolerate.

The fact was, that the very first night after the advent of the new carpet I had a prophetic dream. Among our treasures of art was a little etching, by an English artist-friend, the subject of which was the gambols of the household fairies in a baronial library after the household were in bed. The little people are represented in every attitude of frolic enjoyment. Some escalade the great arm-chair, and look down from its top as from a domestic Mont Blanc; some climb about the bellows; some scale the shaft of the shovel; while some, forming in magic ring, dance festively on the yet glowing hearth. Tiny troops promenade the writing-table. One perches himself quaintly on the top of the inkstand, and holds colloquy with another who sits cross-legged on a paper-weight, while a companion looks down on them from the top of the sand-box. It was an ingenious little device, and gave me the idea, which I often expressed to my wife, that much of the peculiar feeling of security, composure, and enjoyment which seems to be the atmosphere of some rooms and houses came from the unsuspected presence of these little people, the household fairies, so that the belief in their existence became a solemn article of faith with me.

Accordingly, that evening, after the installation of the carpet, when my wife and daughters had gone to bed, as I sat with my slippered feet before the last coals of the fire, I fell asleep in my chair, and, lo! my own parlor presented to my eye a scene of busy life. The little people in green were tripping to and fro, but in great confusion. Evidently something was wrong among them; for they were fussing and chattering with each other, as if preparatory to a general movement. In the region of the bow-window I observed a tribe of them standing with tiny valises and carpet-bags in their hands, as though about to depart on a journey. On my writing-table another set stood around my inkstand and pen-rack, who, pointing to those on the floor, seemed to debate some question among themselves; while others of them appeared to be collecting and packing away in tiny trunks certain fairy treasures, preparatory to a general departure. When I looked at the social hearth, at my wife’s sofa and work-basket, I saw similar appearances of dissatisfaction and confusion. It was evident that the household fairies were discussing the question of a general and simultaneous removal. I groaned in spirit, and, stretching out my hand, began a conciliatory address, when whisk went the whole scene from before my eyes, and I awaked to behold the form of my wife asking me if I were ill or had had the nightmare that I groaned so. I told her my dream, and we laughed at it together.

“We must give way to the girls a little,” she said. “It is natural, you know, that they should wish us to appear a little as other people do. The fact is, our parlor is somewhat dilapidated; think how many years we have lived in it without an article of new furniture.”

“I hate new furniture,” I remarked, in the bitterness of my soul. “I hate anything new.”