In Italy, under bluer skies, and among a gentler people, with more tolerant modes of judgment, the authoress intimates that he found peace and consolation. A lovely young Italian countess falls in love with him, and, breaking her family ties for his sake, devotes herself to him; and, in blissful retirement with her, he finds at last that domestic life for which he was so fitted.
Soothed, calmed, and refreshed, he writes ‘Don Juan,’ which the world is at this late hour informed was a poem with a high moral purpose, designed to be a practical illustration of the doctrine of total depravity among young gentlemen in high life.
Under the elevating influence of love, he rises at last to higher realms of moral excellence, and resolves to devote the rest of his life to some noble and heroic purpose; becomes the saviour of Greece; and dies untimely, leaving a nation to mourn his loss.
The authoress dwells with a peculiar bitterness on Lady Byron’s entire silence during all these years, as the most aggravated form of persecution and injury. She informs the world that Lord Byron wrote his Autobiography with the purpose of giving a fair statement of the exact truth in the whole matter; and that Lady Byron bought up the manuscript of the publisher, and insisted on its being destroyed, unread; thus inflexibly depriving her husband of his last chance of a hearing before the tribunal of the public.
As a result of this silent persistent cruelty on the part of a cold, correct, narrow-minded woman, the character of Lord Byron has been misunderstood, and his name transmitted to after-ages clouded with aspersions and accusations which it is the object of this book to remove.
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Such is the story of Lord Byron’s mistress,—a story which is going the length of this American continent, and rousing up new sympathy with the poet, and doing its best to bring the youth of America once more under the power of that brilliant, seductive genius, from which it was hoped they had escaped. Already we are seeing it revamped in magazine-articles, which take up the slanders of the paramour and enlarge on them, and wax eloquent in denunciation of the marble-hearted insensible wife.
All this while, it does not appear to occur to the thousands of unreflecting readers that they are listening merely to the story of Lord Byron’s mistress, and of Lord Byron; and that, even by their own showing, their heaviest accusation against Lady Byron is that she has not spoken at all. Her story has never been told.
For many years after the rupture between Lord Byron and his wife, that poet’s personality, fate, and happiness had an interest for the whole civilized world, which, we will venture to say, was unparalleled. It is within the writer’s recollection, how, in the obscure mountain-town where she spent her early days, Lord Byron’s separation from his wife was, for a season, the all-engrossing topic.
She remembers hearing her father recount at the breakfast-table the facts as they were given in the public papers, together with his own suppositions and theories of the causes.