'Blackwood' reproves the 'John Bull' in a poetical epistle, recognising the article as coming from Byron, and says to the author,—
'But that you, sir, a wit and a scholar like you,
Should not blush to produce what he blushed not to do,—
Take your compliment, youngster; this doubles, almost,
The sorrow that rose when his honour was lost.'
We may not wonder that the 'Autobiography' was burned, as Murray says in a recent account, by a committee of Byron's friends, including Hobhouse, his sister, and Murray himself.
Now, the 'Blackwood' of July 1824 thus declares its conviction that this outrage on every sentiment of human decency came from Lord Byron, and that his honour was lost. Maginn does not undertake the memoir. No memoir at all is undertaken; till finally Moore is selected, as, like Demetrius of old, a well-skilled gilder and 'maker of silver shrines,' though not for Diana. To Moore is committed the task of doing his best for this battered image, in which even the worshippers recognise foul sulphurous cracks, but which they none the less stand ready to worship as a genuine article that 'fell down from Jupiter.'
Moore was a man of no particular nicety as to moralities, but in that matter seems not very much below what this record shows his average associates to be. He is so far superior to Maginn, that his vice is rose-coloured and refined. He does not burst out with such heroic stanzas as Maginn's frank invitation to Jeremy Bentham:—
'Jeremy, throw your pen aside,
And come get drunk with me;
And we'll go where Bacchus sits astride,
Perched high on barrels three.'
Moore's vice is cautious, soft, seductive, slippery, and covered at times with a thin, tremulous veil of religious sentimentalism.
In regard to Byron, he was an unscrupulous, committed partisan: he was as much bewitched by him as ever man has been by woman; and therefore to him, at last, the task of editing Byron's 'Memoirs' was given.
This Byron, whom they all knew to be obscene beyond what even their most drunken tolerance could at first endure; this man, whose foul license spoke out what most men conceal from mere respect to the decent instincts of humanity; whose 'honour was lost,'—was submitted to this careful manipulator, to be turned out a perfected idol for a world longing for an idol, as the Israelites longed for the calf in Horeb.
The image was to be invested with deceitful glories and shifting haloes,—admitted faults spoken of as peculiarities of sacred origin,—and the world given to understand that no common rule or measure could apply to such an undoubtedly divine production; and so the hearts of men were to be wrung with pity for his sorrows as the yearning pain of a god, and with anger at his injuries as sacrilege on the sacredness of genius, till they were ready to cast themselves at his feet, and adore.