Having brought the authoress upon the stage, the review now goes on to define her position, and assure the Christian world that

'The Countess Guiccioli was the daughter of an impoverished noble. At the age of sixteen, she was taken from a convent, and sold as third wife to the Count Guiccioli, who was old, rich, and profligate. A fouler prostitution never profaned the name of marriage. A short time afterwards, she accidentally met Lord Byron. Outraged and rebellious nature vindicated itself in the deep and devoted passion with which he inspired her. With the full assent of husband, father, and brother, and in compliance with the usages of Italian society, he was shortly afterwards installed in the office, and invested with all the privileges, of her "Cavalier Servente."'

It has been asserted that the Marquis de Boissy, the late husband of this Guiccioli lady, was in the habit of introducing her in fashionable circles as 'the Marquise de Boissy, my wife, formerly mistress to Lord Byron'! We do not give the story as a verity; yet, in the review of this whole history, we may be pardoned for thinking it quite possible.

The mistress, being thus vouched for and presented as worthy of sympathy and attention by one of the oldest and most classic organs of English literature, may now proceed in her work of glorifying the popular idol, and casting abuse on the grave of the dead wife.

Her attacks on Lady Byron are, to be sure, less skilful and adroit than those of Lord Byron. They want his literary polish and tact; but what of that? 'Blackwood' assures us that even the faults of manner derive a peculiar grace from the fact that the narrator is Lord Byron's mistress; and so we suppose the literary world must find grace in things like this:—

'She has been called, after his words, the moral Clytemnestra of her husband. Such a surname is severe: but the repugnance we feel to condemning a woman cannot prevent our listening to the voice of justice, which tells us that the comparison is still in favour of the guilty one of antiquity; for she, driven to crime by fierce passion overpowering reason, at least only deprived her husband of physical life, and, in committing the deed, exposed herself to all its consequences; while Lady Byron left her husband at the very moment that she saw him struggling amid a thousand shoals in the stormy sea of embarrassments created by his marriage, and precisely when he more than ever required a friendly, tender, and indulgent hand to save him.

'Besides, she shut herself up in silence a thousand times more cruel than Clytemnestra's poniard: that only killed the body; whereas Lady Byron's silence was destined to kill the soul,—and such a soul!—leaving the door open to calumny, and making it to be supposed that her silence was magnanimity destined to cover over frightful wrongs, perhaps even depravity. In vain did he, feeling his conscience at ease, implore some inquiry and examination. She refused; and the only favour she granted was to send him, one fine day, two persons to see whether he were not mad.

'And, why, then, had she believed him mad? Because she, a methodical, inflexible woman, with that unbendingness which a profound moralist calls the worship rendered to pride by a feelingless soul,—because she could not understand the possibility of tastes and habits different to those of ordinary routine, or of her own starched life. Not to be hungry when she was; not to sleep at night, but to write while she was sleeping, and to sleep when she was up; in short, to gratify the requirements of material and intellectual life at hours different to hers,—all that was not merely annoying for her, but it must be madness; or, if not, it betokened depravity that she could neither submit to nor tolerate without perilling her own morality.

'Such was the grand secret of the cruel silence which exposed Lord Byron to the most malignant interpretations, to all the calumny and revenge of his enemies.

'She was, perhaps, the only woman in the world so strangely organised,—the only one, perhaps, capable of not feeling happy and proud at belonging to a man superior to the rest of humanity; and fatally was it decreed that this woman alone of her species should be Lord Byron's wife!'