"Oldtown Folks" is of interest as being undoubtedly the last of Mrs. Stowe's works which will outlive the generation for which it was written. Besides its intrinsic merit as a work of fiction, it has a certain historic value as being a faithful study of "New England life and character in that particular time of its history which may be called the seminal period."
Whether Mrs. Stowe was far enough away from the time and people she attempts to describe to "make (her) mind as still and passive as a looking-glass or a mountain lake, and to give merely the images reflected there," is something that will in great part determine the permanent value of this work. Its interest as a story merely is of course ephemeral.
CHAPTER XIX.
THE BYRON CONTROVERSY, 1869-1870.
Mrs. Stowe's Statement of her own Case.—The Circumstances under which she first met Lady Byron.—Letters to Lady Byron.—Letter to Dr. Holmes when about to publish "The True Story of Lady Byron's Life" in the "Atlantic."—Dr. Holmes's Reply.—The Conclusion of the Matter.
It seems impossible to avoid the unpleasant episode in Mrs. Stowe's life known as the "Byron Controversy." It will be our effort to deal with the matter as colorlessly as is consistent with an adequate setting forth of the motives which moved Mrs. Stowe to awaken this unsavory discussion. In justification of her action in this matter, Mrs. Stowe says:—
"What interest have you and I, my brother and my sister, in this short life of ours, to utter anything but the truth? Is not truth between man and man, and between man and woman, the foundation on which all things rest? Have you not, every individual of you, who must hereafter give an account yourself alone to God, an interest to know the exact truth in this matter, and a duty to perform as respects that truth? Hear me, then, while I tell you the position in which I stood, and what was my course in relation to it.
"A shameless attack on my friend's memory had appeared in the 'Blackwood' of July, 1869, branding Lady Byron as the vilest of criminals, and recommending the Guiccioli book to a Christian public as interesting from the very fact that it was the avowed production of Lord Byron's mistress. No efficient protest was made against this outrage in England, and Littell's 'Living Age' reprinted the 'Blackwood' article, and the Harpers, the largest publishing house in America, perhaps in the world, republished the book.
"Its statements—with those of the 'Blackwood,' 'Pall Mall Gazette,' and other English periodicals—were being propagated through all the young reading and writing world of America. I was meeting them advertised in dailies, and made up into articles in magazines, and thus the generation of to-day, who had no means of judging Lady Byron but by these fables of her slanderers, were being foully deceived. The friends who knew her personally were a small, select circle in England, whom death is every day reducing. They were few in number compared with the great world, and were silent. I saw these foul slanders crystallizing into history, uncontradicted by friends who knew her personally, who, firm in their own knowledge of her virtues, and limited in view as aristocratic circles generally are, had no idea of the width of the world they were living in, and the exigency of the crisis. When time passed on and no voice was raised, I spoke."