This harassing, brain-wearying, and heart-sickening labor was continued until the first of April, 1853, when, upon invitation of the Anti-Slavery Society of Glasgow, Scotland, Mrs. Stowe, accompanied by her husband and her brother, Charles Beecher, sailed for Europe.
In the mean time the success of "Uncle Tom's Cabin" abroad was already phenomenal and unprecedented. From the pen of Mr. Sampson Low, the well-known London publisher, we have the following interesting statement regarding it:—
"The first edition printed in London was in April, 1852, by Henry Vizetelly, in a neat volume at ten and sixpence, of which he issued 7,000 copies. He received the first copy imported, through a friend who had bought it in Boston the day the steamer sailed, for his own reading. He gave it to Mr. V., who took it to the late Mr. David Bogue, well known for his general shrewdness and enterprise. He had the book to read and consider over night, and in the morning returned it, declining to take it at the very moderate price of five pounds.
"Vizetelly at once put the volume into the hands of a friendly printer and brought it out on his own account, through the nominal agency of Clarke & Co. The 7,000 copies sold, other editions followed, and Mr. Vizetelly disposed of his interest in the book to the printer and agent, who joined with Mr. Beeton and at once began to issue monster editions. The demand called for fresh supplies, and these created an increased demand. The discovery was soon made that any one was at liberty to reprint the book, and the initiative was thus given to a new era in cheap literature, founded on American reprints. A shilling edition followed the one-and-sixpence, and this in turn became the precursor of one 'complete for sixpence.' From April to December, 1852, twelve different editions (not reissues) were published, and within the twelve months of its first appearance eighteen different London publishing houses were engaged in supplying the great demand that had set in, the total number of editions being forty, varying from fine art-illustrated editions at 15s., 10s., and 7s. 6d., to the cheap popular editions of 1s., 9d., and 6d.
"After carefully analyzing these editions and weighing probabilities with ascertained facts, I am able pretty confidently to say that the aggregate number of copies circulated in Great Britain and the colonies exceeds one and a half millions."
A similar statement made by Clarke & Co. in October, 1852, reveals the following facts. It says: "An early copy was sent from America the latter end of April to Mr. Bogue, the publisher, and was offered by him to Mr. Gilpin, late of Bishopsgate Street. Being declined by Mr. Gilpin, Mr. Bogue offered it to Mr. Henry Vizetelly, and by the latter gentleman it was eventually purchased for us. Before printing it, however, as there was one night allowed for decision, one volume was taken home to be read by Mr. Vizetelly, and the other by Mr. Salisbury, the printer, of Bouverie Street. The report of the latter gentleman the following morning, to quote his own words, was: 'I sat up till four in the morning reading the book, and the interest I felt was expressed one moment by laughter, another by tears. Thinking it might be weakness and not the power of the author that affected me, I resolved to try the effect upon my wife (a rather strong-minded woman). I accordingly woke her and read a few chapters to her. Finding that the interest in the story kept her awake, and that she, too, laughed and cried, I settled in my mind that it was a book that ought to, and might with safety, be printed.'
"Mr. Vizetelly's opinion coincided with that of Mr. Salisbury, and to the latter gentleman it was confided to be brought out immediately. The week following the book was produced and one edition of 7,000 copies worked off. It made no stir until the middle of June, although we advertised it very extensively. From June it began to make its way, and it sold at the rate of 1,000 per week during July. In August the demand became very great, and went on increasing to the 20th, by which time it was perfectly overwhelming. We have now about 400 people employed in getting out the book, and seventeen printing machines besides hand presses. Already about 150,000 copies of the book are in the hands of the people, and still the returns of sales show no decline."
The story was dramatized in the United States in August, 1852, without the consent or knowledge of the author, who had neglected to reserve her rights for this purpose. In September of the same year we find it announced as the attraction at two London theatres, namely, the Royal Victoria and the Great National Standard. In 1853 Professor Stowe writes: "The drama of 'Uncle Tom' has been going on in the National Theatre of New York all summer with most unparalleled success. Everybody goes night after night, and nothing can stop it. The enthusiasm beats that of the run in the Boston Museum out and out. The 'Tribune' is full of it. The 'Observer,' the 'Journal of Commerce,' and all that sort of fellows, are astonished and nonplussed. They do not know what to say or do about it."
While the English editions of the story were rapidly multiplying, and being issued with illustrations by Cruikshank, introductions by Elihu Burritt, Lord Carlisle, etc., it was also making its way over the Continent. For the authorized French edition, translated by Madame Belloc, and published by Charpentier of Paris, Mrs. Stowe wrote the following:—
PREFACE TO THE EUROPEAN EDITION.