Trying each other by very moderate standards and measurements, there is great mutual complacency. The oldest boy does not get an appointment in college,—they never expected he would; but he was a respectable scholar, and they receive him with acclamations such as another family would bestow on a valedictorian. The daughters do not profess, as we are told, to draw like artists, but some very moderate performances in the line of the fine arts are dwelt on with much innocent pleasure. They thrum a few tunes on the piano, and the whole family listen and approve. All unite in singing in a somewhat uncultured manner a few psalm-tunes or songs, and take more comfort in them than many amateurs do in their well-drilled performances.
So goes the world with the Daytons; and when you visit them, if you often feel that you could ask more and suggest much improvement, yet you cannot help enjoying the quiet satisfaction which breathes around you.
Now right across the way from the Daytons live the Mores; and the Mores are the very opposites of the Daytons.
Everything about their establishment is brought to the highest point of culture. The carriage-drive never shows a weed, the lawn is velvet, the flower-beds ever-blooming, the fruit-trees and vines grow exactly like the patterns in the best pomological treatises. Within doors the housekeeping is faultless,—all seems to be moving in time and tune,—the table is more than good, it is superlative,—every article is in its way a model,—the children appear to you to be growing up after the most patent-right method, duly trained, snipped, and cultured, like the pear-trees and grape-vines. Nothing is left to accident, or done without much laborious consideration of the best manner of doing it; and the consequences, in the eyes of their simple, unsophisticated neighbors, are very wonderful.
Nevertheless this is not a happy family. All their perfections do not begin to afford them one tithe of the satisfaction that the Daytons derive from their ragged and scrambling performances.
The two daughters, Jane and Maria, had naturally very sweet voices, and when they were little, trilled tunes in a very pleasant and bird-like manner. But now, having been instructed by the best masters, and heard the very first artists, they never sing or play; the piano is shut, and their voices are dumb. If you request a song, they tell you that they never sing now; papa has such an exquisite taste, he takes no interest in any common music; in short, having heard Jenny Lind, Grisi, Alboni, Mario, and others of the tuneful shell, this family have concluded to abide in silence. As to any music that they could make, it isn’t to be thought of.
For the same reason, the daughters, after attending a quarter or two on the drawing-exercises of a celebrated teacher, threw up their pencils in disgust, and tore up very pretty and agreeable sketches which were the marvel of their good-natured admiring neighbors. If they could draw like Signor Scratchalini, if they could hope to become perfect artists, they tell you, they would have persevered; but they have taken lessons enough to learn that drawing is the labor of a lifetime, and, not having a lifetime to give to it, they resolve to do nothing at all.
They have also, for a similar reason, given up letter-writing. If their chirography were as elegant as Charlotte Cushman’s,—if they were perfect mistresses of polite English,—if they were gifted with wit, humor, and fancy, like the first masters of style,—they would take pleasure in epistolary composition, and be good correspondents; but anything short of that is so intolerable, that, except in cases of life and death or urgent business, you cannot get a line out of them. Yet they write very fair, agreeable, womanly letters, and would write much better ones, if they allowed themselves a little more practice.
Mrs. More is devoured by care. She sits with a clouded brow in her elegant, well-regulated house; and when you talk with her, you are surprised to learn that everything in it is in the most dreadful disorder from one end to the other. You ask for particulars, and find that the disorder has relation to exquisite standards of the ways of doing things, derived from observation of life in the most subdivided state of European service,—to all of which she has not as yet been able to raise her domestics. You compliment her on her cook, and she responds, in plaintive accents, “She can do a few things decently, but she is nothing of a cook.” You refer with enthusiasm to her bread, her coffee, her muffins and hot rolls, and she listens and sighs. “Yes,” she admits, “these are eatable,—not bad; but you should have seen the rolls at a certain café in Paris, and the bread at a certain nobleman’s in England, where they had a bakery in the castle, and a French baker, who did nothing all the while but to refine and perfect the idea of bread. When she thinks of these things, everything in comparison is so coarse and rough!—but then she has learned to be comfortable.” Thus, in every department of housekeeping, to this too well-instructed person,
“Hills peep o’er hills, and Alps on Alps arise.”