CHAPTER XLV.
MY WIFE'S WARDROBE.
Let not the reader imagine by the paragraph on Saratoga trunks that my little wife had done what the Scripture assumes is the impossibility for womankind, and as a bride forgotten her attire.
Although possessing ideas of great moderation, she had not come to our mountain home without the appropriate armor of womanhood.
I interpreted the duties of a husband after the directions of Michelet, and was my wife's only maid, and in all humility performed for her the office of packing and unpacking her trunks, and handling all those strange and wonderful mysteries of the toilet, which seemed to my eyes penetrated with an ineffable enchantment.
I have been struck with dismay of late, in reading the treatises of some very clever female reformers concerning the dress of the diviner sex.
It is really in contemplation among them to reduce it to a level as ordinary and prosaic as it occupies among us men, heavy-footed sons of toil? Are sashes and bows, and neck ribbons and tiny slippers and gloves to give way to thick-soled boots and buckskin gauntlets and broadcloth coats? To me my wife's wardrobe was a daily poem, and from her use of it I derived the satisfaction of faculties which had lain dormant under my heavy black broadcloth, like the gauzy tissue under the black horn wings of a poor beetle. I never looked at the splendid pictures of Paul Veronese and Titian in the Venetian galleries, without murmuring at the severe edicts of modern life which sends every man forth on the tide of life, like a black gondola condemned to one unvarying color. Those gorgeous velvets in all the hues of the rainbow, those dainty laces and splendid gems, which once were allowed to us men, are all swept away, and for us there remains no poetry of dress. Our tailor turns us out a suit in which one is just like another with scarce an individual variation.
The wife, then, the part of one's self which marriage gives us, affords us a gratification of these suppressed faculties. She is our finer self; and in her we appreciate and enjoy what is denied to us. I freely admit the truth of what women-reformers tell us, that it is the admiration of us men that stimulates the love of dress in women. It is a fact—I confess it with tears in my eyes—but it is the truth, that we are blindly enchanted by that play of fancy and poetry in their externals, which is forever denied to us; and that we look with our indulgent eyes even on what the French statesman calls their "fureurs de toilette."