The next spring, while the gables of the new cottage on Elm Street were looking picturesquely through the blossoming cherry-trees, and the smoke was curling up from the chimneys where Grace and her husband were cosily settled down together, there came to John’s house another little Lillie.
The little creature came in terror and trembling. For the mother had trifled fearfully with the great laws of her being before its birth; and the very shadow of death hung over her at the time the little new life began.
Lillie’s mother, now a widow, was sent for, and by this event installed as a fixture in her daughter’s dwelling; and for weeks the sympathies of all the neighborhood were concentrated upon the sufferer. Flowers and fruits were left daily at the door. Every one was forward in offering those kindly attentions which spring up so gracefully in rural neighborhoods. Everybody was interested for her. She was little and pretty and suffering; and people even forgot to blame her for the levities that had made her present trial more severe. As to John, he watched over her day and night with anxious assiduity, forgetting every fault and foible. She was now more than the wife of his youth; she was the mother of his child, enthroned and glorified in his eyes by the wonderful and mysterious experiences which had given this new little treasure to their dwelling.
To say the truth, Lillie was too sick and suffering for sentiment. It requires a certain amount of bodily strength and soundness to feel emotions of love; and, for a long time, the little Lillie had to be banished from the mother’s apartment, as she lay weary in her darkened room, with only a consciousness of a varied succession of disagreeables and discomforts. Her general impression about herself was, that she was a much abused and most unfortunate woman; and that all that could ever be done by the utmost devotion of everybody in the house was insufficient to make up for such trials as had come upon her.
A nursing mother was found for the little Lillie in the person of a goodly Irish woman, fair, fat, and loving; and the real mother had none of those awakening influences, from the resting of the little head in her bosom, and the pressure of the little helpless fingers, which magnetize into existence the blessed power of love.
She had wasted in years of fashionable folly, and in a life led only for excitement and self-gratification, all the womanly power, all the capability of motherly giving and motherly loving that are the glory of womanhood. Kathleen, the white-armed, the gentle-bosomed, had all the simple pleasures, the tendernesses, the poetry of motherhood; while poor, faded, fretful Lillie had all the prose—the sad, hard, weary prose—of sickness and pain, unglorified by love.
John did not well know what to do with himself in Lillie’s darkened room; where it seemed to him he was always in the way, always doing something wrong; where his feet always seemed too large and heavy, and his voice too loud; and where he was sure, in his anxious desire to be still and gentle, to upset something, or bring about some general catastrophe, and to go out feeling more like a criminal than ever.
The mother and the nurse, stationed there like a pair of chief mourners, spoke in tones which experienced feminine experts seem to keep for occasions like these, and which, as Hawthorne has said, give an effect as if the voice had been dyed black. It was a comfort and relief to pass from the funeral gloom to the little pink-ruffled chamber among the cherry-trees, where the birds were singing and the summer breezes blowing, and the pretty Kathleen was crooning her Irish songs, and invoking the holy virgin and all the saints to bless the “darlin’” baby.
“An’ it’s a blessin’ they brings wid ’em, sir.”