Pink and White Tyranny / A Society Novel

by Harriet Beecher Stowe

SPRINGDALE was one of those beautiful rural towns whose flourishing aspect is a striking exponent of the peculiarities of New-England life. The ride through it presents a refreshing picture of wide, cool, grassy streets, overhung with green arches of elm, with rows of large, handsome houses on either side, each standing back from the street in its own retired square of gardens, green turf, shady trees, and flowering shrubs. It was, so to speak, a little city of country-seats. It spoke of wealth, thrift, leisure, cultivation, quiet, thoughtful habits, and moral tastes.

Some of these mansions were of ancestral reputation, and had been in the family whose name they bore for generations back; a circumstance sometimes occurring even in New-England towns where neither law nor custom unites to perpetuate property in certain family lines.

The Seymour house was a well-known, respected mansion for generations back. Old Judge Seymour, the grandfather, was the lineal descendant of Parson Seymour; the pastor who first came with the little colony of Springdale, when it was founded as a church in the wilderness, amid all the dangers of wild beasts and Indians.

This present Seymour mansion was founded on the spot where the house of the first minister was built by the active hands of his parishioners; and, from generation to generation, order, piety, education, and high respectability had been the tradition of the place.

The reader will come in with us, on this bright June morning, through the grassy front yard, which has only the usual New-England fault of being too densely shaded. The house we enter has a wide, cool hall running through its centre and out into a back garden, now all aglow with every beauty of June. The broad alleys of the garden showed bright stores of all sorts of good old-fashioned flowers, well tended and kept. Clumps of stately hollyhocks and scarlet peonies; roses of every hue, purple, blush, gold-color, and white, were showering down their leaves on the grassy turf; honeysuckles climbed and clambered over arbors; and great, stately tufts of virgin-white lilies exalted their majestic heads in saintly magnificence. The garden was Miss Grace Seymour’s delight and pride. Every root in it was fragrant with the invisible blossoms of memory,—memories of the mother who loved and planted and watched them before her, and the grandmother who had cared for them before that. The spirit of these charming old-fashioned gardens is the spirit of family love; and, if ever blessed souls from their better home feel drawn back to any thing on earth, we think it must be to their flower-garden.

Miss Grace had been up early, and now, with her garden hat on, and scissors in hand, was coming up the steps with her white apron full of roses, white lilies, meadow-sweets, and honeysuckle, for the parlor-vases, when the servant handed her a letter.

“From John,” she said, “good fellow;” and then she laid it on the mantel-shelf of the parlor, while she busied herself in arranging her flowers.

“I must get these into water, or they will wilt,” she said.

The large parlor was like many that you and I have seen in a certain respectable class of houses,—wide, cool, shady, and with a mellow old tone to every thing in its furniture and belongings. It was a parlor of the past, and not of to-day, yet exquisitely neat and well-kept. The Turkey carpet was faded: it had been part of the wedding furnishing of Grace’s mother, years ago. The great, wide, motherly, chintz-covered sofa, which filled a recess commanding the window, was as different as possible from any smart modern article of the name. The heavy, claw-footed, mahogany chairs; the tall clock that ticked in one corner; the footstools and ottomans in faded embroidery,—all spoke of days past. So did the portraits on the wall. One was of a fair, rosy young girl, in a white gown, with powdered hair dressed high over a cushion. It was the portrait of Grace’s mother. Another was that of a minister in gown and bands, with black-silk gloved hands holding up conspicuously a large Bible. This was the remote ancestor, the minister. Then there was the picture of John’s father, placed lovingly where the eyes seemed always to be following the slight, white-robed figure of the young wife. The walls were papered with an old-fashioned paper of a peculiar pattern, bought in France seventy-five years before. The vases of India-china that adorned the mantels, the framed engravings of architecture and pictures in Rome, all were memorials of the taste of those long passed away. Yet the room had a fresh, sweet, sociable air. The roses and honeysuckles looked in at the windows; the table covered with books and magazines, and the familiar work-basket of Miss Grace, with its work, gave a sort of impression of modern family household life. It was a wide, open, hospitable, generous-minded room, that seemed to breathe a fragrance of invitation and general sociability; it was a room full of associations and memories, and its daily arrangement and ornamentation made one of the pleasant tasks of Miss Grace’s life.