“Well! every day, and such long ones!” Lillie answered, turning over the pages. “See there,” she went on, opening a drawer, “What a heap of them! I can’t see, for my part, what any one can want to write a letter every day to anybody for. John is such a goose about me.”
“Shrewd Miss Clippins detected the yawn.”
“He’ll get over it after he’s been married six months,” said Miss Clippins, nodding her head with the air of a woman that has seen life.
“I’m sure I shan’t care,” said Lillie, with a toss of her pretty head. “It’s borous any way.”
Our readers may perhaps imagine, from the story thus far, that our little Lillie is by no means the person, in reality, that John supposes her to be, when he sits thinking of her with such devotion, and writing her such long, “borous” letters.
She is not. John is in love not with the actual Lillie Ellis, but with that ideal personage who looks like his mother’s picture, and is the embodiment of all his mother’s virtues. The feeling, as it exists in John’s mind, is not only a most respectable, but in fact a truly divine one, and one that no mortal man ought to be ashamed of. The love that quickens all the nature, that makes a man twice manly, and makes him aspire to all that is high, pure, sweet, and religious,—is a feeling so sacred, that no unworthiness in its object can make it any less beautiful. More often than not it is spent on an utter vacancy. Men and women both pass through this divine initiation,—this sacred inspiration of our nature,—and find, when they have come into the innermost shrine, where the divinity ought to be, that there is no god or goddess there; nothing but the cold black ashes of commonplace vulgarity and selfishness. Both of them, when the grand discovery has been made, do well to fold their robes decently about them, and make the best of the matter. If they cannot love, they can at least be friendly. They can tolerate, as philosophers; pity, as Christians; and, finding just where and how the burden of an ill-assorted union galls the least, can then and there strap it on their backs, and walk on, not only without complaint, but sometimes in a cheerful and hilarious spirit.
Not a word of all this thinks our friend John, as he sits longing, aspiring, and pouring out his heart, day after day, in letters that interrupt Lillie in the all-important responsibility of getting her wardrobe fitted.
Shall we think this smooth little fair-skinned Lillie is a cold-hearted monster, because her heart does not beat faster at these letters which she does not understand, and which strike her as unnecessarily prolix and prosy? Why should John insist on telling her his feelings and opinions on a vast variety of subjects that she does not care a button for? She doesn’t know any thing about ritualism and anti-ritualism; and, what’s more, she doesn’t care. She hates to hear so much about religion. She thinks it’s pokey. John may go to any church he pleases, for all her. As to all that about his favorite poems, she don’t like poetry,—never could,—don’t see any sense in it; and John will be quoting ever so much in his letters. Then, as to the love parts,—it may be all quite new and exciting to John; but she has, as she said, heard that story over and over again, till it strikes her as quite a matter of course. Without doubt the whole world is a desert where she is not: the thing has been asserted, over and over, by so many gentlemen of credible character for truth and veracity, that she is forced to believe it; and she cannot see why John is particularly to be pitied on this account. He is in no more desperate state about her than the rest of them; and secretly Lillie has as little pity for lovers’ pangs as a nice little white cat has for mice. They amuse her; they are her appropriate recreation; and she pats and plays with each mouse in succession, without any comprehension that it may be a serious thing for him.