My Dear C.:—
In fulfilment of my agreement, I will tell you, as nearly as I can remember, all the details of the meeting at Stafford House.
At about eleven o'clock we drove under the arched carriage way of a mansion, externally, not very showy in appearance. It stands on the borders of St. James's Park, opposite to Buckingham Palace, with a street on the north side, and beautiful gardens on the south, while the park is extended on the west.
We were received at the door by two stately Highlanders in full costume; and what seemed to me an innumerable multitude of servants in livery, with powdered hair, repeated our names through the long corridors, from one to another.
I have only a confused idea of passing from passage to passage, and from hall to hall, till finally we were introduced into a large drawing room. No person was present, and I was at full leisure to survey an apartment whose arrangements more perfectly suited my eye and taste than any I had ever seen before. There was not any particular splendor of furniture, or dazzling display of upholstery, but an artistic, poetic air, resulting from the arrangement of colors, and the disposition of the works of virtu with which the room abounded. The great fault in many splendid rooms, is, that they are arranged without any eye to unity of impression. The things in them may be all fine in their way, but there is no harmony of result.
People do not often consider that there may be a general sentiment to be expressed in the arrangement of a room, as well as in the composition of a picture. It is this leading idea which corresponds to what painters call the ground tone, or harmonizing tint, of a picture. The presence of this often renders a very simple room extremely fascinating, and the absence of it makes the most splendid combinations of furniture powerless to please.
The walls were covered with green damask, laid on flat, and confined in its place by narrow gilt bands, which bordered it around the margin. The chairs, ottomans, and sofas were of white woodwork, varnished and gilded, covered with the same.
The carpet was of a green ground, bedropped with a small yellow leaf; and in each window a circular, standing basket contained a whole bank of primroses, growing as if in their native soil, their pale yellow blossoms and green leaves harmonizing admirably with the general tone of coloring.
Through the fall of the lace curtains I could see out into the beautiful grounds, whose clumps of blossoming white lilacs, and velvet grass, seemed so in harmony with the green interior of the room, that one would think they had been arranged as a continuation of the idea.
One of the first individual objects which attracted my attention was, over the mantel-piece, a large, splendid picture by Landseer, which I have often seen engraved. It represents the two eldest children of the Duchess of Sutherland, the Marquis of Stafford, and Lady Blantyre, at that time Lady Levison Gower, in their childhood. She is represented as feeding a fawn; a little poodle dog is holding up a rose to her; and her brother is lying on the ground, playing with an old staghound.