Yet if we could, would we efface from the world such cathedrals as Strasbourg and Cologne? I discussed the question of outward pomp and ritual with myself while I was walking deliberately round a stone balustrade on the roof of the church, and looking out through the flying buttresses, upon the broad sweep of the Rhine, and the queer, old-times houses and spires of the city. I thought of the splendors of the Hebrew ritual and temple, instituted by God himself. I questioned where was the text in the gospel that forbade such a ritual, provided it were felt to be desirable; and then I thought of the ignorance and stupid idolatry of those countries where this ritual is found in greatest splendor, and asked whether these are the necessary concomitants of such churches and such forms, or whether they do not result from other causes. The Hebrew ritual, in a far more sensuous age, had its sculptured cherubim, its pictorial and artistic wealth of representation, its gorgeous priestly vestments, its incense, and its chants; and they never became, so far as we know, the objects of idolatrous veneration.

But I love to go back over and over the scenes of that cathedral; to look up those arches that seem to me, in their buoyant lightness, to have not been made with hands, but to have shot up like an enchantment—to have risen like an aspiration, an impersonation of the upward sweep of the soul, in its loftiest moods of divine communion. There were about five minutes of feeling, worth all the discomforts of getting here; and it is only for some such short time that we can enjoy—then our prison door closes.

There are four painted glass windows, given by the King of Bavaria. I have got for H. the photograph of two of them, representing the birth and death of Christ. They are gorgeous paintings by the first masters. The windows round the choir were painted in a style that reminded me of our forests in autumn.

Well, after our sublimities came a farce. We went to St. Ursula's church, to see the bones of the eleven thousand virgins, who, the chronicle says, were slain here because they would not break their vows of chastity. I was much amused. As we entered the church, C. remarked impressively, "It is evident that these virgins have no connection with cologne water!" The fact was lamentably apparent. Doleful looking figures of virgins, painted in all the colors of the rainbow, were looking down upon us from all quarters; and in front, in a glass frame, was a bill of fare, in French, of the relics which could be served up to order. C. read the list aloud, and then we proceeded to a small side room to see the exhibition. The upper portion of the walls was covered with small bones, strung on wires and arranged in a kind of fanciful arabesque, much as shell boxes are made; and the lower part was taken up with busts in silver and gold gilding, representing still the interminable eleven thousand. A sort of cupboard door half opened showed the shelves all full of skulls, adorned with little satin caps, coronets, and tinsel jewelry; which skulls, we were informed, were the original head-pieces of the same redoubtable females.

At the other end of the room was a raised stage, where the most holy relics of all were being displayed, under the devout eye of a priest in a long, black robe. C. and I went upon the stage to be instructed. S., whom the aforesaid lack of cologne water in the establishment had rendered peculiarly unpropitious, stood at a majestic distance; but C., assuming an air of profound faith, stood up to be initiated.

"That," says the priest, in a plaintive voice, pitched to the exact point between lamentation and veneration, "is the ring of St. Ursula."

"Indeed," says C., "her ring!"

"Yes," says the priest, "it was found in her tomb."

"It was found in her tomb—only think!" says C., turning gravely to me. I had to look another way, while the priest proceeded to introduce, by name, four remarkably yellow skulls, with tastefully trimmed red caps on, as those of St. Ursula and sundry of her most intimate friends. S. looked gloriously indignant, and C. increasingly solemn.

"Dere," said the priest, opening an ivory box, in which was about a quart of teeth of different sizes, "dere is de teeth of the eleven thousand."