The Chimney-Corner

by Harriet Beecher Stowe

"Then," said Mr. Theophilus, "you must either be a rich man in your own right, or your fair ideal must have a handsome fortune of her own."

"I never will marry a rich wife," quoth Rudolph. "My wife must be supported by me, not I by her."

Rudolph is another of the habitués of our chimney-corner, representing the order of young knighthood in America, and his dreams and fancies, if impracticable, are always of a kind to make every one think him a good fellow. He who has no romantic dreams at twenty-one will be a horribly dry peascod at fifty; therefore it is that I gaze reverently at all Rudolph's chateaus in Spain, which want nothing to complete them except solid earth to stand on.

"And pray," said Theophilus, "how long will it take a young lawyer or physician, starting with no heritage but his own brain, to create a sphere of poetry and beauty in which to keep his goddess? How much a year will be necessary, as the English say, to do this garden of Eden, whereinto shall enter only the poetry of life?"

"I don't know. I haven't seen it near enough to consider. It is because I know the difficulty of its attainment that I have no present thoughts of marriage. Marriage is to me in the bluest of all blue distances,—far off, mysterious, and dreamy as the Mountains of the Moon or sources of the Nile. It shall come only when I have secured a fortune that shall place my wife above all necessity of work or care."

"I desire to hear from you," said Theophilus, "when you have found the sum that will keep a woman from care. I know of women now inhabiting palaces, waited on at every turn by servants, with carriages, horses, jewels, laces, cashmeres, enough for princesses, who are eaten up by care. One lies awake all night on account of a wrinkle in the waist of her dress; another is dying because no silk of a certain inexpressible shade is to be found in New York; a third has had a dress sent home, which has proved such a failure that life seems no longer worth having. If it were not for the consolations of religion, one doesn't know what would become of her. The fact is, that care and labor are as much correlated to human existence as shadow is to light; there is no such thing as excluding them from any mortal lot. You may make a canary-bird or a goldfish live in absolute contentment without a care or labor, but a human being you cannot. Human beings are restless and active in their very nature, and will do something, and that something will prove a care, a labor, and a fatigue, arrange it how you will. As long as there is anything to be desired and not yet attained, so long its attainment will be attempted; so long as that attainment is doubtful or difficult, so long will there be care and anxiety. When boundless wealth releases woman from every family care, she immediately makes herself a new set of cares in another direction, and has just as many anxieties as the most toilful housekeeper, only they are of a different kind. Talk of labor, and look at the upper classes in London or in New York in the fashionable season. Do any women work harder? To rush from crowd to crowd all night, night after night, seeing what they are tired of, making the agreeable over an abyss of inward yawning, crowded, jostled, breathing hot air, and crushed in halls and stairways, without a moment of leisure for months and months, till brain and nerve and sense reel, and the country is longed for as a period of resuscitation and relief! Such is the release from labor and fatigue brought by wealth. The only thing that makes all this labor at all endurable is, that it is utterly and entirely useless, and does no good to any one in creation; this alone makes it genteel, and distinguishes it from the vulgar toils of a housekeeper. These delicate creatures, who can go to three or four parties a night for three months, would be utterly desolate if they had to watch one night in a sick-room; and though they can exhibit any amount of physical endurance and vigor in crowding into assembly rooms, and breathe tainted air in an opera-house with the most martyr-like constancy, they could not sit one half-hour in the close room where the sister of charity spends hours in consoling the sick or aged poor."

"Mr. Theophilus is quite at home now," said Jennie; "only start him on the track of fashionable life, and he takes the course like a hound. But hear, now, our champion of the Evening Post:—

"'The instinct of women to seek a life of repose, their eagerness to attain the life of elegance, does not mean contempt for labor, but it is a confession of unfitness for labor. Women were not intended to work,—not because work is ignoble, but because it is as disastrous to the beauty of a woman as is friction to the bloom and softness of a flower. Woman is to be kept in the garden of life; she is to rest, to receive, to praise; she is to be kept from the workshop world, where innocence is snatched with rude hands, and softness is blistered into unsightliness or hardened into adamant. No social truth is more in need of exposition and illustration than this one; and, above all, the people of New England need to know it, and, better, they need to believe it.

"'It is therefore with regret that we discover Christopher Crowfield applying so harshly, and, as we think so indiscriminatingly, the theory of work to women, and teaching a society made up of women sacrificed in the workshops of the state, or to the dust-pans and kitchens of the house, that women must work, ought to work, and are dishonored if they do not work; and that a woman committed to the drudgery of a household is more creditably employed than when she is charming, fascinating, irresistible, in the parlor or boudoir. The consequence of this fatal mistake is manifest throughout New England,—in New England, where the girls are all beautiful and the wives and mothers faded, disfigured, and without charm or attractiveness. The moment a girl marries in New England she is apt to become a drudge, or a lay figure on which to exhibit the latest fashions. She never has beautiful hands, and she would not have a beautiful face if a utilitarian society could "apply" her face to anything but the pleasure of the eye. Her hands lose their shape and softness after childhood, and domestic drudgery destroys her beauty of form and softness and bloom of complexion after marriage. To correct, or rather to break up, this despotism of household cares, or of work, over woman, American society must be taught that women will inevitably fade and deteriorate, unless it insures repose and comfort to them. It must be taught that reverence for beauty is the normal condition, while the theory of work, applied to women, is disastrous alike to beauty and morals. Work, when it is destructive to men or women, is forced and unjust.