"Well," said I, "let us feel our way. In the first place, then, we are all agreed in one starting-point,—that beauty is not to be considered as a bad thing,—that the love of ornament in our outward and physical life is not a sinful or a dangerous feeling, and only leads to evil, as all other innocent things do, by being used in wrong ways. So far we are all agreed, are we not?"
"Certainly," said all the voices.
"It is, therefore, neither wicked nor silly nor weak-minded to like beautiful dress, and all that goes to make it up. Jewelry, diamonds, pearls, emeralds, rubies, and all sorts of pretty things that are made of them, are as lawful and innocent objects of admiration and desire, as flowers or birds or butterflies, or the tints of evening skies. Gems, in fact, are a species of mineral flower; they are the blossoms of the dark, hard mine; and what they want in perfume they make up in durability. The best Christian in the world may, without the least inconsistency, admire them, and say, as a charming, benevolent old Quaker lady once said to me, 'I do so love to look at beautiful jewelry!' The love of beautiful dress, in itself, therefore, so far from being in a bad sense worldly, may be the same indication of a refined and poetical nature that is given by the love of flowers and of natural objects.
"In the third place, there is nothing in itself wrong, or unworthy a rational being, in a certain degree of attention to the fashion of society in our costume. It is not wrong to be annoyed at unnecessary departures from the commonly received practices of good society in the matter of the arrangement of our toilet; and it would indicate rather an unamiable want of sympathy with our fellow-beings, if we were not willing, for the most part, to follow what they indicate to be agreeable in the disposition of our outward affairs."
"Well, I must say, Mr. Crowfield, you are allowing us all a very generous margin," said Humming-Bird.
"But, now," said I, "I am coming to the restrictions. When is love of dress excessive and wrong? To this I answer by stating my faith in one of old Plato's ideas, in which he speaks of beauty and its uses. He says there were two impersonations of beauty worshipped under the name of Venus in the ancient times,—the one celestial, born of the highest gods, the other earthly. To the earthly Venus the sacrifices were such as were more trivial; to the celestial, such as were more holy. 'The worship of the earthly Venus,' he says, 'sends us oftentimes on unworthy and trivial errands, but the worship of the celestial to high and honorable friendships, to noble aspirations and heroic actions.'
"Now it seems to me that, if we bear in mind this truth in regard to beauty, we shall have a test with which to try ourselves in the matter of physical adornment. We are always excessive when we sacrifice the higher beauty to attain the lower one. A woman who will sacrifice domestic affection, conscience, self-respect, honor, to love of dress, we all agree, loves dress too much. She loses the true and higher beauty of womanhood for the lower beauty of gems and flowers and colors. A girl who sacrifices to dress all her time, all her strength, all her money, to the neglect of the cultivation of her mind and heart, and to the neglect of the claims of others on her helpfulness, is sacrificing the higher to the lower beauty. Her fault is not the love of beauty, but loving the wrong and inferior kind.
"It is remarkable that the directions of Holy Writ, in regard to the female dress, should distinctly take note of this difference between the higher and the lower beauty which we find in the works of Plato. The Apostle gives no rule, no specific costume, which should mark the Christian woman from the Pagan; but says, 'whose adorning, let it not be that outward adorning of plaiting the hair, and of wearing of gold, or of putting on of apparel; but let it be the hidden man of the heart, in that which is not corruptible, even the ornament of a meek and quiet spirit, which is in the sight of God of great price.' The gold and gems and apparel are not forbidden; but we are told not to depend on them for beauty, to the neglect of those imperishable, immortal graces that belong to the soul. The makers of fashion among whom Christian women lived when the Apostle wrote were the same class of brilliant and worthless Aspasias who make the fashions of modern Paris; and all womankind was sunk into slavish adoration of mere physical adornment when the Gospel sent forth among them this call to the culture of a higher and immortal beauty.
"In fine, girls," said I, "you may try yourselves by this standard. You love dress too much when you care more for your outward adornings than for your inward dispositions,—when it afflicts you more to have torn your dress than to have lost your temper,—when you are more troubled by an ill-fitting gown than by a neglected duty,—when you are less concerned at having made an unjust comment, or spread a scandalous report, than at having worn a passée bonnet,—when you are less troubled at the thought of being found at the last great feast without the wedding garment, than at being found at the party to-night in the fashion of last year. No Christian woman, as I view it, ought to give such attention to her dress as to allow it to take up all of three very important things, viz.:—
All her time.