Such sweet neglect more taketh me
Than all the adulteries of art,
That strike my eyes, but not my heart.'"
XI. THE CATHEDRAL.
"I am going to build a cathedral one of these days," said I to my wife, as I sat looking at the slant line of light made by the afternoon sun on our picture of the Cathedral of Milan.
"That picture is one of the most poetic things you have among your house ornaments," said Rudolph. "Its original is the world's chief beauty,—a tribute to religion such as Art never gave before and never can again,—as much before the Pantheon, as the Alps, with their virgin snows and glittering pinnacles, are above all temples made with hands. Say what you will, those Middle Ages that you call Dark had a glory of faith that never will be seen in our days of cotton-mills and Manchester prints. Where will you marshal such an army of saints as stands in yonder white-marble forest, visibly transfigured and glorified in that celestial Italian air? Saintship belonged to the mediæval Church; the heroism of religion has died with it."
"That's just like one of your assertions, Rudolph," said I. "You might as well say that Nature has never made any flowers since Linnæus shut up his herbarium. We have no statues and pictures of modern saints, but saints themselves, thank God, have never been wanting. 'As it was in the beginning, is now, and ever shall be—'"