Accordingly, the following month found Aunt Sally and Uncle Lot by the minister's fireside, delighted witnesses of the Thanksgiving presents which a willing people were pouring in; and the next day they had once more the pleasure of seeing a son of theirs in the sacred desk, and hearing a sermon that every body said was "the best that he ever preached;" and it is to be remarked, that this was the standing commentary on all James's discourses, so that it was evident he was going on unto perfection.
"There's a great deal that's worth having in this 'ere life after all," said Uncle Lot, as he sat by the coals of the bright evening fire of that day; "that is, if we'd only take it when the Lord lays it in our way."
"Yes," said James; "and let us only take it as we should, and this life will be cheerfulness, and the next fulness of joy."
LOVE versus LAW.
How many kinds of beauty there are! How many even in the human form! There are the bloom and motion of childhood, the freshness and ripe perfection of youth, the dignity of manhood, the softness of woman—all different, yet each in its kind perfect.
But there is none so peculiar, none that bears more the image of the heavenly, than the beauty of Christian old age. It is like the loveliness of those calm autumn days, when the heats of summer are past, when the harvest is gathered into the garner, and the sun shines over the placid fields and fading woods, which stand waiting for their last change. It is a beauty more strictly moral, more belonging to the soul, than that of any other period of life. Poetic fiction always paints the old man as a Christian; nor is there any period where the virtues of Christianity seem to find a more harmonious development. The aged man, who has outlived the hurry of passion—who has withstood the urgency of temptation—who has concentrated the religious impulses of youth into habits of obedience and love—who, having served his generation by the will of God, now leans in helplessness on Him whom once he served, is, perhaps, one of the most faultless representations of the beauty of holiness that this world affords.
Thoughts something like these arose in my mind as I slowly turned my footsteps from the graveyard of my native village, where I had been wandering after years of absence. It was a lovely spot—a soft slope of ground close by a little stream, that ran sparkling through the cedars and junipers beyond it, while on the other side arose a green hill, with the white village laid like a necklace of pearls upon its bosom.
There is no feature of the landscape more picturesque and peculiar than that of the graveyard—that "city of the silent," as it is beautifully expressed by the Orientals—standing amid the bloom and rejoicing of nature, its white stones glittering in the sun, a memorial of decay, a link between the living and the dead.
As I moved slowly from mound to mound, and read the inscriptions, which purported that many a money-saving man, and many a busy, anxious housewife, and many a prattling, half-blossomed child, had done with care or mirth, I was struck with a plain slab, bearing the inscription, "To the memory of Deacon Enos Dudley, who died in his hundredth year." My eye was caught by this inscription, for in other years I had well known the person it recorded. At this instant, his mild and venerable form arose before me as erst it used to rise from the deacon's seat, a straight, close slip just below the pulpit. I recollect his quiet and lowly coming into meeting, precisely ten minutes before the time, every Sunday,—his tall form a little stooping,—his best suit of butternut-colored Sunday clothes, with long flaps and wide cuffs, on one of which two pins were always to be seen stuck in with the most reverent precision. When seated, the top of the pew came just to his chin, so that his silvery, placid head rose above it like the moon above the horizon. His head was one that might have been sketched for a St. John—bald at the top, and around the temples adorned with a soft flow of bright fine hair,—