The Minister's Wooing

by Harriet Beecher Stowe

Our scene opens in the great old-fashioned kitchen, which, on ordinary occasions, is the family dining and sitting room of the Scudder family. I know fastidious moderns think that the working-room, wherein are carried on the culinary operations of a large family, must necessarily be an untidy and comfortless sitting-place; but it is only because they are ignorant of the marvellous workings which pertain to the organ of ‘faculty,’ on which we have before insisted. The kitchen of a New England matron was her throne-room, her pride; it was the habit of her life to produce the greatest possible results there with the slightest possible discomposure; and what any woman could do, Mrs. Katy Scudder could do par excellence. Everything there seemed to be always done, and never doing. Washing and baking, those formidable disturbers of the composure of families, were all over within those two or three morning-hours when we are composing ourselves for a last nap,—and only the fluttering of linen over the green-yard, on Monday mornings, proclaimed that the dreaded solemnity of a wash had transpired. A breakfast arose there as by magic; and in an incredibly short space after, every knife, fork, spoon, and trencher, clean and shining, was looking as innocent and unconscious in its place as if it never had been used and never expected to be.

The floor,—perhaps, sir, you remember your grandmother’s floor, of snowy boards sanded with whitest sand; you remember the ancient fireplace stretching quite across one end,—a vast cavern, in each corner of which a cozy seat might be found, distant enough to enjoy the crackle of the great jolly wood-fire; across the room ran a dresser, on which was displayed great store of shining pewter dishes and plates, which always shone with the same mysterious brightness; and by the side of the fire a commodious wooden ‘settee,’ or settle, offered repose to people too little accustomed to luxury to ask for a cushion. Oh, that kitchen of the olden times, the old, clean, roomy New England kitchen! Who that has breakfasted, dined, and supped in one has not cheery visions of its thrift, its warmth, its coolness? The noon-mark on its floor was a dial that told of some of the happiest days; thereby did we right up the shortcomings of the solemn old clock that tick-tacked in the corner, and whose ticks seemed mysterious prophecies of unknown good yet to arise out of the hours of life. How dreamy the winter twilight came in there!—as yet the candles were not lighted,—when the crickets chirped around the dark stone hearth, and shifting tongues of flame flickered and cast dancing shadows and elfish lights on the walls, while grandmother nodded over her knitting-work, and puss purred, and old Rover lay dreamily opening now one eye and then the other on the family group! With all our ceiled houses, let us not forget our grandmothers’ kitchens!

But we must pull up, however, and back to our subject-matter, which is in the kitchen of Mrs. Katy Scudder, who has just put into the oven, by the fireplace, some wondrous tea-rusks, for whose composition she is renowned. She has examined and pronounced perfect a loaf of cake which has been prepared for the occasion, and which, as usual, is done exactly right. The best room, too, has been opened and aired,—the white window-curtains saluted with a friendly little shake, as when one says, ‘How d’ye do?’ to a friend; for you must know, clean as our kitchen is, we are genteel, and have something better for company. Our best room in here has a polished little mahogany tea-table, and six mahogany chairs, with claw talons grasping balls; the white sanded floor is crinkled in curious little waves, like those on the sea-beach; and right across the corner stands the ‘buffet,’ as it is called, with its transparent glass doors, wherein are displayed the solemn appurtenances of company tea-table. There you may see a set of real China teacups, which George bought in Canton, and had marked with his and his wife’s joint initials,—a small silver cream-pitcher, which has come down as an heirloom from unknown generations,—silver spoons and delicate China cake-plates, which have been all carefully reviewed and wiped on napkins of Mrs. Scudder’s own weaving.

Her cares now over, she stands drying her hands on a roller-towel in the kitchen, while her only daughter, the gentle Mary, stands in the doorway with the afternoon sun streaming in spots of flickering golden light on her smooth pale-brown hair,—a petite figure, in a full stuff petticoat and white short-gown, she stands reaching up one hand and cooing to something among the apple-blossoms,—and now a Java dove comes whirring down and settles on her finger,—and we, that have seen pictures, think, as we look on her girlish face, with its lines of statuesque beauty,—on the tremulous, half-infantine expression of her lovely mouth, and the general air of simplicity and purity,—of some old pictures of the girlhood of the Virgin. But Mrs. Scudder was thinking of no such Popish matter, I can assure you,—not she! I don’t think you could have done her a greater indignity than to mention her daughter in any such connection. She had never seen a painting in her life, and therefore was not to be reminded of them; and furthermore, the dove was evidently, for some reason, no favourite,—for she said, in a quick, imperative tone, ‘Come, come, child! don’t fool with that bird, it’s high time we were dressed and ready,’—and Mary, blushing, as it would seem, even to her hair, gave a little toss, and sent the bird, like a silver fluttering cloud, up among the rosy apple-blossoms. And now she and her mother have gone to their respective little bedrooms for the adjustment of their toilets, and while the door is shut and nobody hears us, we shall talk to you about Mary.

Newport at the present day blooms like a flower-garden with young ladies of the best ton,—lovely girls, hopes of their families, possessed of amiable tempers and immensely large trunks, and capable of sporting ninety changes in thirty days, and otherwise rapidly emptying the purses of distressed fathers, and whom yet travellers and the world in general look upon as genuine specimens of the kind of girls formed by American institutions.

We fancy such a one lying in a rustling silk négligé, and, amid a gentle generality of rings, ribbons, puffs, laces, beaux, and dinner-discussion, reading our humble sketch;—and what favour shall our poor heroine find in her eyes? For though her mother was a world of energy and ‘faculty,’ in herself considered, and had bestowed on this one little lone chick all the vigour and all the care and all the training which would have sufficed for a family of sixteen, there were no results produced which could be made appreciable in the eyes of such company. She could not waltz, or polk, or speak bad French, or sing Italian songs; but, nevertheless, we must proceed to say what was her education and what her accomplishments.

Well, then, she could both read and write fluently in the mother-tongue. She could spin both on the little and the great wheel, and there were numberless towels, napkins, sheets, and pillow-cases in the household store that could attest the skill of her pretty fingers. She had worked several samplers of such rare merit, that they hung framed in different rooms of the house, exhibiting every variety and style of possible letter in the best marking-stitch. She was skilful in all sewing and embroidery, in all shaping and cutting, with a quiet and deft handiness that constantly surprised her energetic mother, who could not conceive that so much could be done with so little noise. In fact, in all household lore she was a veritable good fairy; her knowledge seemed unerring and intuitive: and whether she washed or ironed, or moulded biscuit or conserved plums, her gentle beauty seemed to turn to poetry all the prose of life.

There was something in Mary, however, which divided her as by an appreciable line from ordinary girls of her age. From her father she had inherited a deep and thoughtful nature, predisposed to moral and religious exaltation. Had she been born in Italy, under the dissolving influences of that sunny, dreamy clime, beneath the shadow of cathedrals, and where pictured saints and angels smiled in clouds of painting from every arch and altar, she might, like fair St. Catherine of Siena, have seen beatific visions in the sunset skies, and a silver dove descending upon her as she prayed; but, unfolding in the clear, keen, cold New England clime, and nurtured in its abstract and positive theologies, her religious faculties took other forms. Instead of lying entranced in mysterious raptures at the foot of altars, she read and pondered treatises on the Will, and listened in rapt attention while her spiritual guide, the venerated Dr. H., unfolded to her the theories of the great Edwards on the nature of true virtue. Womanlike, she felt the subtle poetry of these sublime abstractions which dealt with such infinite and unknown quantities,—which spoke of the universe, of its great Architect, of men, of angels, as matters of intimate and daily contemplation; and her teacher, a grand-minded and simple-hearted man as ever lived, was often amazed at the tread with which this fair young child walked through these high regions of abstract thought,—often comprehending through an ethereal clearness of nature what he had laboriously and heavily reasoned out; and sometimes, when she turned her grave, childlike face upon him with some question or reply, the good man started as if an angel had looked suddenly out upon him from a cloud. Unconsciously to himself, he often seemed to follow her, as Dante followed the flight of Beatrice, through the ascending circles of the celestial spheres.

When her mother questioned him, anxiously, of her daughter’s spiritual estate, he answered, that she was a child of a strange graciousness of nature, and of a singular genius; to which Katy responded, with a woman’s pride, that she was all her father over again. It is only now and then that a matter-of-fact woman is sublimated by a real love; but if she is, it is affecting to see how impossible it is for death to quench it; for in the child the mother feels that she has a mysterious and undying repossession of the father.

But, in truth, Mary was only a recast in feminine form of her father’s nature. The elixir of the spirit that sparkled within her was of that quality of which the souls of poets and artists are made; but the keen New England air crystallizes emotions into ideas, and restricts many a poetic soul to the necessity of expressing itself only in practical living.