"I'm sorry I spoke harshly, Emily. Come, come; that's a good girl."
"I'm a silly fool," said Miss Emily, lifting her head, and wiping the tears from her merry little eyes, as she went on winding her silk.
"Perhaps he will tell me now," she thought, as she wound.
But he didn't.
"What I was going to say, Emily," said her brother, "was, that I thought it would be a good plan for little Mara to come sometimes with Moses; and then, by observing her more particularly, you might be of use to her; her little, active mind needs good practical guidance like yours."
Mr. Sewell spoke in a gentle, flattering tone, and Miss Emily was flattered; but she soon saw that she had gained nothing by the whole breeze, except a little kind of dread, which made her inwardly resolve never to touch the knocker of his fortress again. But she entered into her brother's scheme with the facile alacrity with which she usually seconded any schemes of his proposing.
"I might teach her painting and embroidery," said Miss Emily, glancing, with a satisfied air, at a framed piece of her own work which hung over the mantelpiece, revealing the state of the fine arts in this country, as exhibited in the performances of well-instructed young ladies of that period. Miss Emily had performed it under the tuition of a celebrated teacher of female accomplishments. It represented a white marble obelisk, which an inscription, in legible India ink letters, stated to be "Sacred to the memory of Theophilus Sewell," etc. This obelisk stood in the midst of a ground made very green by an embroidery of different shades of chenille and silk, and was overshadowed by an embroidered weeping-willow. Leaning on it, with her face concealed in a plentiful flow of white handkerchief, was a female figure in deep mourning, designed to represent the desolate widow. A young girl, in a very black dress, knelt in front of it, and a very lugubrious-looking young man, standing bolt upright on the other side, seemed to hold in his hand one end of a wreath of roses, which the girl was presenting, as an appropriate decoration for the tomb. The girl and gentleman were, of course, the young Theophilus and Miss Emily, and the appalling grief conveyed by the expression of their faces was a triumph of the pictorial art.
Miss Emily had in her bedroom a similar funeral trophy, sacred to the memory of her deceased mother,—besides which there were, framed and glazed, in the little sitting-room, two embroidered shepherdesses standing with rueful faces, in charge of certain animals of an uncertain breed between sheep and pigs. The poor little soul had mentally resolved to make Mara the heiress of all the skill and knowledge of the arts by which she had been enabled to consummate these marvels.
"She is naturally a lady-like little thing," she said to herself, "and if I know anything of accomplishments, she shall have them."
Just about the time that Miss Emily came to this resolution, had she been clairvoyant, she might have seen Mara sitting very quietly, busy in the solitude of her own room with a little sprig of partridge-berry before her, whose round green leaves and brilliant scarlet berries she had been for hours trying to imitate, as appeared from the scattered sketches and fragments around her. In fact, before Zephaniah started on his spring fishing, he had caught her one day very busy at work of the same kind, with bits of charcoal, and some colors compounded out of wild berries; and so out of his capacious pocket, after his return, he drew a little box of water-colors and a lead-pencil and square of India-rubber, which he had bought for her in Portland on his way home.