"To be sure you can't," said Sally, laughing. "I should like to see you try it."
"Now," pursued Mara, in a tone of lamentation, "I could no more get into a carriage and drive to Brunswick as you can, than I could fly. I can't drive, Sally—something is the matter with me; and the horses always know it the minute I take the reins; they always twitch their ears and stare round into the chaise at me, as much as to say, 'What! you there?' and I feel sure they never will mind me. And then how you can make those wonderful bargains you do, I can't see!—you talk up to the clerks and the men, and somehow you talk everybody round; but as for me, if I only open my mouth in the humblest way to dispute the price, everybody puts me down. I always tremble when I go into a store, and people talk to me just as if I was a little girl, and once or twice they have made me buy things that I knew I didn't want, just because they will talk me down."
"Oh, Mara, Mara," said Sally, laughing till the tears rolled down her cheeks, "what do you ever go a-shopping for?—of course you ought always to send me. Why, look at this dress—real India chintz; do you know I made old Pennywhistle's clerk up in Brunswick give it to me just for the price of common cotton? You see there was a yard of it had got faded by lying in the shop-window, and there were one or two holes and imperfections in it, and you ought to have heard the talk I made! I abused it to right and left, and actually at last I brought the poor wretch to believe that he ought to be grateful to me for taking it off his hands. Well, you see the dress I've made of it. The imperfections didn't hurt it the least in the world as I managed it,—and the faded breadth makes a good apron, so you see. And just so I got that red spotted flannel dress I wore last winter. It was moth-eaten in one or two places, and I made them let me have it at half-price;—made exactly as good a dress. But after all, Mara, I can't trim a bonnet as you can, and I can't come up to your embroidery, nor your lace-work, nor I can't draw and paint as you can, and I can't sing like you; and then as to all those things you talk with Mr. Sewell about, why they're beyond my depth,—that's all I've got to say. Now, you are made to have poetry written to you, and all that kind of thing one reads of in novels. Nobody would ever think of writing poetry to me, now, or sending me flowers and rings, and such things. If a fellow likes me, he gives me a quince, or a big apple; but, then, Mara, there ain't any fellows round here that are fit to speak to."
"I'm sure, Sally, there always is a train following you everywhere, at singing-school and Thursday lecture."
"Yes—but what do I care for 'em?" said Sally, with a toss of her head. "Why they follow me, I don't see. I don't do anything to make 'em, and I tell 'em all that they tire me to death; and still they will hang round. What is the reason, do you suppose?"
"What can it be?" said Mara, with a quiet kind of arch drollery which suffused her face, as she bent over her painting.
"Well, you know I can't bear fellows—I think they are hateful."
"What! even Tom Hiers?" said Mara, continuing her painting.
"Tom Hiers! Do you suppose I care for him? He would insist on waiting on me round all last winter, taking me over in his boat to Portland, and up in his sleigh to Brunswick; but I didn't care for him."
"Well, there's Jimmy Wilson, up at Brunswick."