CHAPTERPAGE
I.—The Other Side of the Street[7]
II.—How WE Begin Life [23]
III.—The Family Dictator at Work[30]
IV.—Eva to Harry's Mother [42]
V.—Aunt Maria Rouses a Tempest in a Teapot[52]
VI.—The Settling of the Waters[69]
VII.—Letters and Air-Castles [78]
VIII.—The Vanderheyden Fortress Taken[86]
IX.—Jim and Alice [95]
X.—Mr. St. John [103]
XI.—Aunt Maria Clears her Conscience[115]
XII.—"Why Can't They Let Us Alone?"[131]
XIII.—Our "Evening" Projected [144]
XIV.—Mr. St. John is Outargued[152]
XV.—Getting Ready to Begin [160]
XVI.—The Minister's Visit [173]
XVII.—Our First Thursday [178]
XVIII.—Raking up the Fire [192]
XIX.—A Lost Sheep [197]
XX.—Eva to Harry's Mother [201]
XXI.—Bolton and St. John [207]
XXII.—Bolton to Caroline [214]
XXIII.—The Sisters of St. Barnabas [221]
XXIV.—Eva to Harry's Mother[227]
XXV.—Aunt Maria Endeavors to Set Matters Right[232]
XXVI.—She Stood Outside the Gate[243]
XXVII.—Rough Handling of Sore Nerves[253]
XXVIII.—Reason and Unreason[262]
XXIX.—Aunt Maria Frees her Mind[270]
XXX.—A Dinner on Washing Day[274]
XXXI.—What They Talked About [285]
XXXII.—A Mistress Without a Maid[296]
XXXIII.—A Four-footed Prodigal [307]
XXXIV.—Going to the Bad [317]
XXXV.—A Soul in Peril[328]
XXXVI.—Love in Christmas Greens [339]
XXXVII.—Thereafter?[350]
XXXVIII.—"We Must be Cautious"[357]
XXXIX.—Says She to her Neighbor—What?[365]
XL.—The Engagement Announced [369]
XLI.—Letter from Eva to Harry's Mother[375]
XLII.—Jim's Fortunes [387]
XLIII.—A Midnight Caucus over the Coals[399]
XLIV.—Fluctuations [407]
XLV.—The Valley of the Shadow [414]
XLVI.—What They all Said About It [418]
XLVII.—"In the Forgiveness of Sins"[430]
XLVIII.—The Pearl Cross[439]
XLIX.—The Unprotected Female [448]
L.—Eva to Harry's Mother[461]
LI.—The Hour and the Woman [465]
LII.—Eva's Consultations[469]
LIII.—Wedding Presents [474]
LIV.—Married and A' [478]

[LIST OF ILLUSTRATIONS.]

I.—New Neighbors[Frontispiece].
"'Who can have taken the Ferguses' house, sister?' said abrisk little old lady, peeping through the window blinds."
PAGE
II.—Talking it Over[73]
"Come now, Puss, out with it. Why that anxious brow?What domestic catastrophe?"
III.—The Domestic Artist[131]
"A spray of ivy that was stretching towards the window had beendrawn back and was forced to wreathe itself around a picture."
IV.—Wickedness, or Misery?[197]
"Bolton laid his hand on her shoulder, and, looking downon her, said: 'Poor child, have you no mother?'"
V.—Confidences[287]
"In due course followed an introduction to 'my wife,' whosephotograph Mr. Selby wore dutifully in his coat-pocket."
VI.—Going to the Bad[327]
"The sweet-faced woman calls the attention of her husband.He frowns, whips up the horse, and is gone.... Bitternesspossesses Maggie's soul.... Why not go to the bad?"
VII.—Skirmishing[341]
"'I like your work,' he said, 'better than you do mine.''I didn't say that I didn't like yours,' said Angie, coloring."
VIII.—A Midnight Caucus[400]
"'There, now he's off,' said Eva ... then, leaning back,she began taking out hair-pins and shaking down curls anduntying ribbons as a preface to a wholly free conversation."

[WE AND OUR NEIGHBORS.]


[CHAPTER I.]
THE OTHER SIDE OF THE STREET.