Woman in Sacred History / A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources

by Harriet Beecher Stowe

In one night how much is born in that soul! The sentiment of reverence, awe of the Divine,—a conviction of the reality of God and an invisible world,—and the beginning of that great experiment by which man learns practically that God is his father. For, in the outset, every human being's consciousness of God must be just of this sort. Have I a Father in heaven? Does he care for me? Will he help me? Questions that each man can only answer as Jacob did, by casting himself upon God in a matter-of-fact, practical way in the exigencies of this present life. And this history is the more valuable because it takes man in his earlier stages of imperfection. We are apt to feel that it might be safe for Paul, or Isaiah, or other great saints, to expect God to befriend them; but here a poor, untaught shepherd boy, who is not religious, avows that, up to this time, he has had no sense of God; and yet between him and heaven there is a pathway, and about him in his loneliness are ministering spirits; and the God of Abraham and of Isaac is ready to become his friend. In an important sense, this night dream, this gracious promise of God to Jacob, are not merely for him, but for all erring, helpless, suffering sons of men. In the fatherly God thus revealed to the patriarch, we see the first fruits of the promise that through him all nations should be blessed.

The next step of the drama shows us a scene of sylvan simplicity. About the old well in Haran, shepherds are waiting with their flocks, when the stripling approaches: "And Jacob said unto them, My brethren, whence be ye? And they said, Of Haran are we. And he said unto them, Know ye Laban the son of Nahor? And they said, We know him. And he said unto them, Is he well? And they said, He is well: and, behold, Rachel his daughter cometh with the sheep. And he said, Lo, it is yet high day, neither is it time that the cattle should be gathered together. Water ye the sheep, and go and feed them. And they said, We cannot, until all the flocks be gathered together, and till they roll the stone from the well's mouth; then we water the sheep. And while he yet spake with them Rachel came with her father's sheep; for she kept them. And it came to pass, when Jacob saw Rachel, the daughter of Laban, his mother's brother, and the sheep of Laban, his mother's brother, that Jacob went near, and rolled the stone from the well's mouth, and watered the flock of Laban, his mother's brother. And Jacob kissed Rachel, and lifted up his voice, and wept; and Jacob told Rachel that he was her father's brother, and that he was Rebekah's son: and she ran and told her father. And it came to pass, when Laban heard the tidings of Jacob, his sister's son, that he ran to meet him, and embraced him, and kissed him, and brought him to his house."

In the story of Isaac, we have the bridegroom who is simply the submissive recipient of a wife at his father's hands; in that of Jacob, we have the story of love at first sight. The wanderer, exiled from home, gives up his heart at once to the keeping of his beautiful shepherdess cousin, and so, when the terms of service are fixed with the uncle, the narrative says: "And Laban had two daughters; the name of the elder was Leah, and the name of the younger was Rachel. Leah was tender-eyed; but Rachel was beautiful and well-favored. And Jacob loved Rachel, and said, I will serve thee seven years for Rachel, thy younger daughter. And Jacob served seven years for Rachel, and they seemed unto him but a few days, for the love he had to her."

But when the wedding comes, in the darkness and secrecy of the night a false bride is imposed on the lover. And Jacob awoke, and behold it was Leah. Not the last man was he who has awakened, after the bridal, to find his wife was not the woman he had taken her to be. But the beloved one is given as a second choice, and seven years more of service are imposed as her price.

The characteristics of these two sisters, Leah and Rachel, are less vividly given than those of any of the patriarchal women. Sarah, Hagar, and Rebekah are all sharply defined characters, in and of themselves; but of Leah and Rachel almost all that can be said is that they were Jacob's wives, and mothers of the twelve tribes of Israel.

The character of their father Laban was narrow, shrewd, and hard, devoid of any generous or interesting trait, and the daughters appear to have grown up under a narrowing and repressing influence. What we learn of them in the story shows the envies, the jealousies, the bickerings and heart-burnings of poorly developed natures. Leah, the less beloved one, exults over her handsomer and more favored sister because she has been made a fruitful mother, while to Rachel the gift of children is denied. Rachel murmurs and pines, and says to her husband, "Give me children, or I die." The desire for offspring in those days seemed to be an agony. To be childless, was disgrace and misery unspeakable. At last, however, Rachel becomes a mother and gives birth to Joseph, the best-beloved of his father. The narrative somehow suggests that charm of personal beauty and manner which makes Rachel the beloved one, and her child dearer than all the rest. How many such women there are, pretty and charming, and holding men's hearts like a fortress, of whom a biographer could say nothing only that they were much beloved!

When Jacob flees from Laban with his family, we find Rachel secretly taking away the images which her father had kept as household gods. The art by which she takes them, the effrontery with which she denies the possession of them, when her father comes to search for them, shows that she had little moral elevation. The belief in the God of her husband probably was mixed up confusedly in her childish mind with the gods of her father. Not unfrequently in those dim ages, people seemed to alternate from one to the other, as occasions varied. Yet she seems to have held her husband's affections to the last; and when, in giving birth to her last son, she died, this son became the darling of his father's old age. The sacred poet has made the name of this beloved wife a proverb, to express the strength of the motherly instinct, and "Rachel weeping for her children" is a line that immortalizes her name to all time.

Whatever be the faults of these patriarchal women, it must be confessed that the ardent desire of motherhood which inspired them is far nobler than the selfish, unwomanly spirit of modern times, which regards children only as an encumbrance and a burden. The motherly yearning and motherly spirit give a certain dignity to these women of primitive ages, which atones for many faults of imperfect development.

Twenty-one years elapse, and Jacob, a man of substance, father of a family of twelve children, with flocks and herds to form a numerous caravan, leaves the service of his hard master to go back to his father. The story shows the same traits in the man as in the lad. He is the gentle, affectionate, prudent, kindly, care-taking family-man, faithful in duty, and evading oppression by quiet skill rather than meeting it with active opposition. He has become rich, in spite of every effort of an aggressive master to prevent it.