The Merrimack Manufacturing Company was incorporated in 1822, a factory was built, and the first cotton cloth was made in 1823. It was coarse in texture,—the kind that might be used to “shoot pease through,”—though it was not sleazy, but thick and firm, something like thin sail-cloth, and it costs “two and threepence” (thirty-seven and one-half cents) a yard.
The first calico printing done in Lowell was on the Merrimack Corporation, and the prints were of very poor texture and color. The groundwork was madder, and there was a white spot in it for a figure; it cost about thirty cents a yard. This madder-color was the product of an extensive cowyard in the vicinity of the print-works, and the prints were “warranted not to fade.”
I had a gown of this material, and it proved a garb of humiliation, for the white spots washed out, cloth and all, leaving me covered with eyelet-holes. This so amused my witty brother that, whenever I wore it, he accused me of being more “holy than righteous.” Dyers and calico printers were soon sent for from England, and a long low block on the Merrimack Corporation was built for their accommodation and called the “English Row.” When they arrived from the old country they were not satisfied with the wages, which were not according to the agreement, and they would not go to work, but left the town with their families in a large wagon with a band of music. Terms were made with them, however, and they returned, and established in Lowell the art of calico printing.
The “Print Works” was a great mystery in its early days. It had its secrets, and it was said that no stranger was allowed to enter certain rooms, for fear that the art would be stolen. The first enduring color in print was an indigo blue. This was the groundwork, and a minute white spot sprinkled over it made the goods lively and pretty. It wore like “iron,” and its success was the first step toward the high standard in the market once held by the “Merrimack Print.”
Before 1840, the foreign element in the factory population was almost an unknown quantity. The first immigrants to come to Lowell were from England. The Irishman soon followed; but not for many years did the Frenchman, Italian, and German come to take possession of the cotton-mills. The English were of the artisan class, but the Irish came as “hewers of wood and drawers of water.” The first Irishwomen to work in the Lowell mills were usually scrubbers and waste-pickers. They were always good-natured, and when excited used their own language; the little mill-children learned many of the words (which all seemed to be joined together like compound words), and these mites would often answer back, in true Hibernian fashion. These women, as a rule, wore peasant cloaks, red or blue, made with hoods and several capes, in summer (as they told the children), to “kape cool,” and in winter to “kape warrum.” They were not intemperate, nor “bitterly poor.” They earned good wages, and they and their children, especially their children, very soon adapted themselves to their changed conditions of life, and became as “good as anybody.”
To show the close connection in family descent of the artisan and the artist, at least in the line of color, it may be said here that a grandson of one of the first blue-dyers in this country is one of the finest American marine painters, and exhibited pictures at the World’s Columbian Exposition of 1893.
In 1832 the factory population of Lowell was divided into four classes. The agents of the corporations were the aristocrats, not because of their wealth, but on account of the office they held, which was one of great responsibility, requiring, as it did, not only some knowledge of business, but also a certain tact in managing, or utilizing the great number of operatives so as to secure the best return for their labor. The agent was also something of an autocrat, and there was no appeal from his decision in matters affecting the industrial interests of those who were employed on his corporation.
The agents usually lived in large houses, not too near the boarding-houses, surrounded by beautiful gardens which seemed like Paradise to some of the home-sick girls, who, as they came from their work in the noisy mill, could look with longing eyes into the sometimes open gate in the high fence, and be reminded afresh of their pleasant country homes. And a glimpse of one handsome woman, the wife of an agent, reading by an astral lamp in the early evening, has always been remembered by one young girl, who looked forward to the time when she, too, might have a parlor of her own, lighted by an astral lamp!
The second class were the overseers, a sort of gentry, ambitious mill-hands who had worked up from the lowest grade of factory labor; and they usually lived in the end-tenements of the blocks, the short connected rows of houses in which the operatives were boarded. However, on one corporation, at least, there was a block devoted exclusively to the overseers, and one of the wives, who had been a factory girl, put on so many airs that the wittiest of her former work-mates fastened the name of “Puckersville” to the whole block where the overseers lived. It was related of one of these quondam factory girls, that, with some friends, she once re-visited the room in which she used to work, and, to show her genteel friends her ignorance of her old surroundings, she turned to the overseer, who was with the party, and pointing to some wheels and pulleys over her head, she said, “What’s them things up there?”
The third class were the operatives, and were all spoken of as “girls” or “men;” and the “girls,” either as a whole, or in part, are the subject of this volume.