Candle in hand, Persis paused before a photograph, framed in blue plush and occupying a prominent position on the mantel. "Good night, Justin," she said in as matter-of-fact a tone as if she were exchanging farewells with some chance caller. As the candle flickered, a wave of expression seemed to cross the face in the plush frame, almost as if it had smiled.
It was a pleasant young face with a good forehead and frank eyes. The indeterminate sweetness of the mouth and chin hinted that this was a man in the making, his strength to be wrought out, his weakness to be mastered. Like the blue plush the photograph was faded, as were alas, the roses in Persis' cheeks. It was twenty years since they had kissed each other good-by in that very room, boy and girl, sure of themselves and of the future. Justin was going away to make a home for her, and Persis would wait for him, if need be, till her hair was gray.
He had been unfortunate from the start. Up in the garret, spicy with the fragrance of dried herbs and of camphor, were his letters, locked away in a small horse-hair trunk. Twice a year Persis opened the trunk to dust the letters, and sometimes she drew out the contents of a yellowing envelope and read a line here and there. These were the letters over which she had wept long, long before,—blurred in places by youth's hot tears, the letters she had carried on her heart. They were full of the excuses in which failure is invariably fertile, breathing from every page the fatal certainty that luck would soon turn.
The letters became infrequent after old Mr. Ware's "stroke." Persis understood. For them there could be no thought of marrying nor giving in marriage while the old man lay helpless. All that Justin could spare from his scant earnings, little enough, she knew, must be sent home. And meanwhile Joel having discovered in a three months' illness his fitness to play the part of invalid, had apparently decided to make the rôle permanent. Like many another, Persis had found in work and responsibility, a mysterious solace for the incessant dull ache at her heart.
That was twenty years before. Persis Dale, climbing the stairs as nimbly as if it were early morning and she herself just turned sixteen, seemed a woman eminently practical. Yet in the changes of those twenty years, though trouble had been a frequent guest under the sloping roof of the old-fashioned house and death had entered more than once, there had never been a time when Persis had gone to her bed without a good night to the photograph in the blue plush frame, never a morning when she had begun the day without looking into the eyes of her old lover.
The most practical woman that ever made a button-hole or rolled a pie-crust, despite a gray shimmer at her temples and a significant tracery at the corners of her eyes, has a chamber in her heart marked "private" where she keeps enshrined some tender memory. At the core, every woman is a sentimentalist.
CHAPTER II
THE LOVER
Thomas Hardin, trudging through the dusk of the spring evening, his shoulders stooping and his hands thrust deep into his pockets, wore an expression better befitting an apprehensive criminal than an expectant lover. As he approached the Dale cottage where the light of Persis' lamp shone redly through the curtained window, his look of gloom increased, and he gave vent to frequent and explosive sighs.
The sense of unworthiness likely to overwhelm the best of men who seek the love of a good woman, was in Thomas' case complicated by a morbidly sensitive conscience and ruthless honesty. To Thomas, Persis Dale represented all that was loveliest in womankind, but he would have resigned unhesitatingly all hope of winning her rather than have gained her promise under false pretenses. "I can stand getting the mitten if it comes to that," Thomas assured himself with a fearful sinking of the heart, which belied the boast. "But I can't stand the idea of taking her in." When she knew him at his undisguised worst, it would be time enough to consider taking him for a possible better.