"Yes, there's enough of it, such as it is," Elaine responded discontentedly. She slammed the postman's offering down on the table. "Two bills--no, three, and the others--"
"A young author has much to contend with," said Mrs. Marshall, forgetting her momentary pique in sympathy. "There is a prejudice against the newcomer, but once get a hearing and it is all plain sailing."
Peggy eyed the long envelopes on the table with sudden understanding. They were returned manuscripts. Very business-like they looked with the row of stamps on the right-hand corner, and even sensible Peggy was thrilled for the moment by something vaguely impressive in the thought of writing for publication.
"I'm sure a great many authors had a discouraging experience to begin with," pursued Mrs. Marshall. "Wasn't it Milton who sold 'Paradise Lost' for a mere song, and I'm sure 'David Harum' was refused by any number of publishers." She looked anxiously at Elaine, who, having opened one of the long envelopes after another, was reading over the rejection slips, her forehead creased in an unmistakable frown.
"Let me see," Mrs. Marshall secured a slip, and perused it carefully. "Why, this is rather encouraging. They say that the rejection does not imply any lack of merit."
"But they must say that to everybody," Elaine insisted gloomily. "It's printed."
"Really, Elaine, if you are determined to take a pessimistic view, read one of the stories to Peggy," cried Mrs. Marshall, forgetting formality for once, "and see what she thinks." Peggy echoed the suggestion heartily. She was really very curious about the contents of those long envelopes.
"If I did, it would be to find out what you really did think about them," Elaine replied. "Most people would say nice things, anyway, but I believe you'd be honest, Peggy." She looked at her friend rather appealingly. "I don't want to waste my time on what isn't going to amount to anything."
Peggy felt a marked decline of enthusiasm. "Of course I'm not any critic," she said uncomfortably. "I can tell you what I think, but that won't be worth much."
"It's what I want, anyway." Elaine jerked a bulky manuscript from its sheath and settled herself in a rocking-chair. "The name of this," she announced in a defiant voice, "is the 'Maid of the Haunted Well.' It's a story for children, you see."