“Oh, Mr Hope! Oh, sir!” said Alice, “don’t go! Don’t think of going, sir! She does not mind killing anybody, I assure you, sir.”
“Oh, Mr Hope, don’t go!” cried almost everybody. Maria was sure she heard Hester’s voice among the rest. The young countrywoman and the children grasped the skirts of his coat; but he shook them off, laughing, and went. Little Mary loved Mr Hope very dearly. She shot out at the door with him, and clasped her hands before Mrs Plumstead, looking up piteously, as if to implore her to do Mr Hope no harm. Already, however, the vixen’s mood had changed. At the first glimpse of Mr Hope, her voice sank from being a squall into some resemblance to human utterance. She pulled her cap forward, and a tinge of colour returned to her white lips. Mr Enderby caught up little Mary and carried her to her mamma, crying bitterly. Mr Hope might safely be left to finish his conquest of the otherwise unconquerable scold. He stood still till he could make himself heard, looking her full in the face; and it was not long before she would listen to his remonstrance, and even at length take his advice, to go home and compose herself. He went with her, to ensure the good behaviour of her neighbours, and had the satisfaction of seeing her lock herself into her house alone before he returned to his party.
“It is as you told me,” said Margaret to Mr Enderby; “Mr Hope’s power extends even to the temper of the Deerbrook scold. How she began to grow quiet directly! It was like magic.”
Mr Enderby smiled; but there was some uneasiness in his smile.
The countrywoman was commended to the servants, to be refreshed, and dismissed another way. There was no further reason for detaining her when it appeared that she really could give no account of how she had offended Mrs Plumstead in selling her a pound of butter. It remained to console little Mary, who was still crying,—more from grief for Mrs Plumstead than from fear, Maria thought, though Mrs Grey was profuse in assurances to the child that Mrs Plumstead should not be allowed to frighten her any more. All the children seemed so depressed and confounded, that their guests exerted themselves to be merry again, and to efface, as far as was possible, the impression of the late scene. When Mr Hope returned, he found Mr Grey singing his single ditty, about Dame Dumshire and her crockery-ware, amidst great mirth and unbounded applause. Then Mrs Enderby was fluttered, and somewhat flattered, by an entreaty that she would favour the company with one of the ballads for which she had been famous in her time. She could not refuse on such an occasion,—if indeed she had ever been able to refuse what she was told would give pleasure. She made her son choose for her what she should sing; and then followed a wonderful story of Giles Collins, who loved a lady: Giles and the lady both died of true love; Giles was laid in the lower chancel, and the lady in the higher; from the one grave grew a milk-white rose, and from the other a briar, both of which climbed up to the church top, and there tied themselves into a true-lover’s knot, which made all the parish admire. At this part, Anna was seen looking up at the ceiling; but the rest had no eyes but for Mrs Enderby, as she gazed full at the opposite wall, and the shrill, quavering notes of the monotonous air were poured out, and the words were as distinct as if they were spoken.
“Is that true, grandmamma?” asked Anna, when all was over.
“You had better ask the person who made the song, my dear. I did not make it.”
“But did you ever see that church with the briar growing in it, before the sexton cut it down?”
“Do not let us talk any more about it,” said Philip, solemnly. “I wonder grandmamma dares sing such a sad song.”
“Why, you asked her, Uncle Philip.”