Suddenly, however, he ceased his tumbling about, and sat up, his hair filled with bits of leaves and grass.
"Ought I to play on it, Aunt Anna? Will father care?"
Georg's voice shook with apprehension, but the girl hastened to reassure him.
"When your father made you give away the toys, he never said a word about clavichords. It can't be wrong to play on it when you never have been forbidden."
Anna's idea of obedience was very strict, and in the present case she was wholly sincere, never doubting for an instant that they were about to proceed in the straight path of duty.
"Oh, no," murmured the boy, much relieved, "he didn't mention clavichords, I'm sure."
"Now this is to be a secret of yours and mine, and while the others are gone to the Kirmess to-morrow, I shall have the darling brought over and carried up to the garret."
"Ho, ho! Hurrah for our secret! Hurrah! hurrah!"
When, next day, Georg saw the clavichord borne to the shadowy chamber under the eaves and set up in all its thrilling reality against the warm brick chimney, he pressed both hands over his mouth in the fear that his cries of exultation might reach his father's ears in town.
When the carriers were gone, he approached the instrument timidly, and only after Anna had played several tunes, could he be induced to touch its yellowed keys. But when he had once overcome the awe that filled him at sight of his heart's desire, he clung to it as a thing of life, passing every hour thereafter that he could snatch from his school studies, in the company of this glorious toy. In the beginning, Anna taught him the few rudiments of musical art that lay within her ken, but before many weeks had passed, the pupil turned teacher, so far outstripping his aunt that he was able to give her many helpful suggestions.