A Son of the Hills

by Harriet T. Comstock

Secrecy was absolutely necessary. Conditions might arise to defeat Crothers' philanthropic schemes, but when all was concluded Morley must be taken into their confidence and made to understand that open and fair competition was both right and democratic.

And while all this was going on Sandy toiled at the buildings all day, reported progress to Levi every evening, tried to do his duty by Treadwell, while he sought for some reason to get him away before any harm was done.

It was difficult to account for what happened to Cynthia Walden at that critical time. It all happened so quickly, so breathlessly. The child in the girl was flattered, amused and uplifted by Lans Treadwell. He was so gay, so captivating. He taught her to play on Marcia Lowe's mandolin, and when he discovered how splendidly and sweetly she could sing the plaintive songs of her hills and the melodies of the old plantation days, he was enraptured and gave such praise as turned Cynthia's head and filled Marcia Lowe with delight.

"You little genius!" Lans exclaimed one day; "try to dance, too. You look like a spirit of the hills."

Then Cynthia danced and danced and forgot Sandy away among his buildings; forgot his grim determination and serious manner. It was song and dance for Cynthia, and the little doctor looking on, charmed by the turn their dull life had taken, saw no danger. To her Cynthia was a child still, and she was grateful that she should have this bit of brightness and joy in her narrow, drab-coloured life.

The arrested elements in Cynthia grew apace and with abnormal force. Through Lans Treadwell she realized all the froth and sunshine girlhood craves—she forgot Sandy because at that moment he held no part in the gay drama that was set to music and song. And then, quite naturally, too, the woman in the girl pleaded for recognition. Here was a man who appreciated her; would accept her as she was, although he asked no questions of her, regarding her poor little past. He talked splendidly of the big vital things of life which Cynthia thrilled at, but could not express in word or thought. Oh! it was most sure that Lans Treadwell would never care what had brought her into being—it was the woman! Sandy might do a big thing from duty; Lans would do big things because with him duty was but love of—humanity! Cynthia did not know much about humanity and Lans never said he loved her—but it came upon the girl all at once one day that she—she, little Cynthia Walden, was needed, desperately, sufferingly needed by a great-souled man to help in saving Lost Hollow! How magnificent! Sandy meant to save The Hollow alone and single-handed—Sandy was limited, that was Lans's modest interpretation—but Treadwell had his vision, too, and his vision included her! It was breath-taking and alluring.

Treadwell did not make any physical or emotional claims upon the girl—something led him dangerously, but wisely. He taught her to call him brother and he spoke to her as "little sister." This was particularly blinding to Marcia Lowe.

"Brother and sister in the broad human sense," pleaded Lans, and so the net drew close around little Cyn, and she did not struggle, because the mesh was so open and free that it did not chafe the delicate nature nor stunt the yet blind soul.

At the end of the third week Crothers, in fatherly manner, suggested to Lans that he was compromising Cynthia. So considerately and humanely did the man speak of this that Lans could take no offence, particularly as Crothers just then had brought their common interests to such a pass that to resent anything would have been fatal. A very beautiful and many-coloured bubble was well in sight!

"You see," Crothers explained, "them men up to Greeley's store are a right evil lot. Knowing that Cynthia Walden was a nameless waif when old Miss Ann adopted her, they cannot believe a right smart feller like you has honest motives and they are getting ugly."