Jude remembered Marsena Riddall. What a woman she had been! What a menace to man's rights and woman's position.
She had demanded, and got her husband's wages as he returned from camp. She met him at the edge of the North Wood, and held him up, morally and physically. That she kept a clean and respectable house; that her children were well fed, clothed and cared for, had not counted to her credit one jot among the powers that be. Her husband was not safe on the man's side of the Black Cat screen. At ten o'clock, did Riddall brave his chances to that hour, Marsena would march boldly into the arena and claim her quarry. If a man rose to expostulate, Marsena was equal to him with tongue and wit. Masculine superiority trembled during Marsena's reign, which lasted five years; then Fate downed her.
Riddall was called away from his jailer by the command that even Marsena could not defy, and she and her children faced life in a village where a man was an absolute necessity unless there was money to take his place. Jude grimly smiled as he recalled how the men and boys gave Marsena and her brood a jeering send-off as the rattling train bore them away soon after Riddall had been laid behind the disused church.
So while Marsena was still in Jude's memory, he came upon the deserted and decaying cottage where once Lola Laval had sung her pretty French-Canadian song.
It was odd how Lola came always with that song accompaniment. Try as he might, even now, in this disordered moment, Jude heard the rippling little lark song rise and fall in the fragrant darkness.
Jude, while but a boy, liked to draw water for Lola and run her errands when young Pierre, the husband, was in camp. When the logging season was over, Lola's cottage vied with the Black Cat in popularity. Pierre was a noted card player, but, oh! Lola's song sounded above the slap of pasteboard and the click of glasses. How pretty she was—and how the women hated her! The men were eager to serve her. She had no need to command; her desires seemed granted before she voiced them—poor, pretty Lola!
Alouette, alouette, alouette, alouette.
Oh, alouette, chantez alouette,
Alouette, je te plumerai.
Alouette, chantez alouette,
Alouette, je te plumerai.
Je te plumerai le bec,
Je te plumerai le bec
A le bec,
A le bec,
Alouette,
Alouette.
Lola had not lasted long; only nineteen she was when Pierre in his jealousy struck the light from her eyes by a cruel blow, and the song fled from her lips; then taking warning from a well-directed signal from Beacon Hill, he had sought the Southern Solitude just before Justice, in the form of the Hillcrest constable, came stalking into St. Angé.
But the song was not dead. Again and again a man or woman would revive it and so it had become a part of the place. To Jude, now, it was painfully evident as he again plunged forward; it followed him sweetly, mockingly as it used to when Lola sent it after him to keep him from being afraid as he left her for his lonely home; he, a neglected little boy.
And now here was Joyce! With a stinging consciousness Jude realized this new personality that heretofore he had not suspected. Even as jealous anger spurred him on, a vague something he knew awaited him, calmed him and made him cautious.