Mam'selle Jo

by Harriet T. Comstock

Norval sent for books, many of them. Books of travel; Jo grew breathless over them.

"I can sit in this rocker," she often said to Marcel Longville, "shut my eyes, and there I am in those far places. I see palm groves and I hear the swishing of the sea. Mercy! Marcel, just fancy a body of water as long as the St. Lawrence and as wide as it is long!"

"I can't," said Marcel. "And I wouldn't want to. Water isn't what I take to most. But I do like the palm countries, Mam'selle. They are, generally speaking, warm. Sometimes I feel as if I never would be warm again as long as I live."

While Norval read aloud to Jo and Donelle, he would often lift his eyes to find Donelle looking at him. Over the gulf of silence that separated them they smiled and trusted.

Norval wrote to his lawyer, instructed him to take legal steps at once, upon whatever ground he could, legitimately, select. "Leave my wife and me free," he said; "with as decent characters as our stupid laws permit. I don't see why society should feel more moral if we are sullied."

But Norval did not write to Katherine. He left that for his lawyers to do. He did, however, send a pretty fair statement of the case of himself and his wife to Anderson Law who, at that time, was basking under Egypt's calm skies, wandering in deserts, forgetting, and pulling himself together.

And according to her promise Donelle went often to the cabin in the woods. Because it was winter and Point of Pines in a subnormal state, no one knew of the secret visits. Not even the joyous notes of the violin attracted attention. Norval painted as he never had in his life before. His genius burned bright. He knew the difference now; it made him humble and grateful. He painted the winter woods with an inspired brush. They were asleep, but not dead. His sunlight was alive; his moonlight, pure magic. He caught the frozen river with its strange, shifting colours; he dealt appealingly with the lonely, scattered houses; they seemed, under his hand, to ask for sympathy in their isolation.

Guided by Donelle's interpretation, he painted a road full of mystery and delight. A long road leading to a hilltop.

"Oh!" Donelle cried when she stood close and beheld the picture. "Now I see what Tom saw long ago, but you had to teach me. The road is alive, it is a—a friend! You just would not want to hurt it or make it ashamed. Oh! how the sunlight lies on it. I believe it moves!"

Norval lifted his face, his yearning eyes claimed the love he saw in Donelle's.