We can imagine the tender leave-takings after that. "I am convinced," he said, "I am saying an eternal farewell to my native country; I have a presentiment I shall never return." And so indeed it proved.
Again to Vienna, by way of Breslau, Dresden and Prague. In Vienna all was not as rosy as it had been on his first visit. Haslinger was unwilling to publish more of his compositions, though there were the two concertos, études and many short pieces. The way did not open to give a concert. He was lonely and unhappy, constantly dreaming of home and the beloved Constantia. From graphic letters to one of his dearest friends, a few sentences will reveal his inner life.
"To-day is the first of January (1831). Oh, how sadly this year begins for me! I love you all above all things. My poor parents! How are my friends faring? I could die for you all. Why am I doomed to be here so lonely and forsaken? You can at least open your hearts to each other. Go and see my parents—and—Constantia."
Although it did not seem advisable to give concerts in Vienna, yet Chopin made many pleasant acquaintances among the musicians and prominent people, and was constantly invited. He had planned to go from Vienna to either Italy or France. As there were political troubles in the former country, he decided to start for Paris, stopping on the way at a few places. In Munich he gave a morning concert, in the hall of the Philharmonie, which won him renown. From Munich he proceeded to Stuttgart, and during a short stay there, heard the sad news of the taking of Warsaw by the Russians. This event, it is said, inspired him to compose the C minor Etude, Op. 10, No. 12.
The Poles and everything Polish were at that time the rage in Paris. The young Polish master found ready entrance into the highest musical and literary circles of this most delightful city of the world. All was romance, fantasy, passion, which fitted with Chopin's sensitive and romantic temperament. Little wonder that he became inspired by contact with some of the greatest in the world of arts and letters.
There were Victor Hugo. King of the romanticists, Heine, poet and novelist; De Musset, Flaubert, Zola, Lamartine, Chateaubriand, Baudelaire, Ary Scheffer, Mérimée, Gautier, Berlioz, Balzac, Rossini, Meyerbeer, Hiller, Nourrit, to mention a few. Liszt was there too, and George Sand, Mendelssohn and Kalkbrenner. Chopin called on the last named, who was considered the first pianist of the day, and played for him. Kalkbrenner remarked he had the style of Cramer and the touch of Field. He proposed that Chopin should study three years with him, and he would then become a great virtuoso. Of course the young artist might have learned something-on the mechanical side, but at the risk of injuring the originality and style of his playing. His old friend and teacher Elsner, kept him from doing this.
The first year in Paris Chopin played at a number of concerts and functions, with ever increasing success. But in spite of the artistic success, his finances ran low, and he began to consider a trip to America. Fortunately he met Prince Radziwill on the street at this time, and was persuaded to play at a Rothschild soirée in the evening. From this moment, it is said, his prospects brightened, and he secured a number of wealthy patrons as pupils. Whether this be true or not, he came to know many titled personages. One has only to turn the pages of his music to note how many pieces are dedicated to Princess This and Countess That. This mode of life was reflected in his music, which became more elegant and aristocratic.
During the season of 1833 and 1834, Chopin continued to make his way as composer, pianist and teacher. A letter to friends in Poland, says: "Frederic looks well and strong; he turns the heads of all the French women, and makes the men jealous. He is now the fashion."
In the spring of 1834 Chopin had been persuaded by Ferdinand Hiller to accompany him to Aix-la-Chapelle, to attend the Lower Rhine Music Festival. Before they started Chopin found he had not the money to go, as it had been spent or given to some needy countryman. Hiller did not like to go alone, and asked if his friend could think of no way out of the dilemma. At last Chopin took the manuscript of the E flat Valse, Op. 18, went with it to Pleyel the publisher, and returned with five hundred francs. They could now go and enjoy the trip they had planned.
In July, 1835, Chopin met his parents at Carlsbad, where his father had been sent by the Warsaw physicians to take the cure. The young musician, now famous, had not seen his parents in nearly five years, and the reunion must have been a happy one. From here he went to Dresden and Leipsic, meeting Schumann and Mendelssohn. Schumann admired the young Pole greatly and wrote much about him in his musical magazine. Mendelssohn considered him a "really perfect virtuoso, whose piano playing was both original and masterly," but he was not sure whether his compositions were right or wrong. Chopin also stopped in Heidelberg on the way to Paris, visiting the father of his pupil Adolph Gutman. He must have been back in Paris about the middle of October, for the papers mention that "M. Chopin, one of the most eminent pianists of our epoch, has just made a tour of Germany, which has been for him a real ovation. Everywhere his admirable talent obtained the most flattering reception and excited much enthusiasm."