So wretched were the roads in the early decades after my arrival, and so many were the plans proposed for increasing the rapidity of travel, that great curiosity was excited in 1860 when it was announced that Phineas Banning had bought a "steam-wagon" and would soon introduce a kind of vehicle such as Los Angeles, at least, had never before seen. This steam-wagon was a traction engine built by J. Whitman & Sons, at Leeds, England, and was already on its way across the ocean. It had been ordered by Richard A. Ogden, of San Francisco, for the Patagonia Copper Mining Company, a trial before shipping having proved that, with a load of thirty-eight tons, the engine could attain a speed of five miles an hour; and Banning paid handsomely for the option of purchasing the vehicle, on condition that it would ultimately prove a success.
The announcement was made in April, and by early June the engine had reached San Francisco where it made the run to Mission Dolores in three-quarters of an hour. All the San Francisco papers told of "the truly wonderful machine," one reporter averring that "the engineer had so perfect control that a visit was made to various parts of the city, to the astonishment and gratification of the multitude;" and since these accounts were immediately copied by the Los Angeles papers (which added the official announcement that Captain Hughes had loaded the engine on board his schooner, the Lewis Perry, and was bringing it south as fast as he could), popular excitement rose like the mercury in summer, and but one more report was needed to make it the absorbing talk of the hour. That came on the twenty-eighth of July, when the Star announced: "The steam-wagon has arrived at San Pedro;" and it was not long before many persons went down to the port to get a sight of the wonderful object.
And wait they did. Although the Star said that "all our citizens were anxiously, hourly, expecting to see Major Banning heave in sight at the foot of Main Street," no Banning hove! Instead, on the fourth of August, the same Star broke forth with this lament: "The steam-wagon is at San Pedro, and we regret to learn that it is likely to remain there. So far, all attempts to reach this city with freight have failed." And that was the end of the steam-wagon experiment here.
In every community there are characters who, for one reason or another, develop among their fellows a reputation for oddity. We have all seen the good-natured, rather stout old gentleman, whose claim to dignity is his old-fashioned Prince Albert and rather battered-looking silk hat, but who, although he boasts many friends, is never successful in the acquisition of this world's goods. We have seen, too, the vender of ice-cream, tamales or similar commodity, who in his youth had been an opera singer or actor, but whose too intensive thirst rendered him impossible in his profession and brought him far down in the world. Some were dangerous criminals; some were harmless, but obnoxious; others still were harmless and amusing. Many such characters I have met during my sixty years in Los Angeles; and each filled a certain niche, even those whose only mission was to furnish their fellows with humor or amusement having thus contributed to the charm of life.
Viejo Cholo, or Old Half-breed, a Mexican over sixty years of age who was never known by any other name, was such an eccentric character. He was half blind; wore a pair of white linen pantaloons, and for a mantle used an old sheet. This he threw over his shoulders; and thus accoutered, he strutted about the streets like a Spanish cavalier. His cane was a broom-handle; his lunch-counter, the swill-bucket; and when times were particularly bad, Viejo begged. The youngsters of the pueblo were the bane of Cholo's existence and the torment of his infirmity and old age.
Cholo was succeeded by Pinikahti, who was half Indian and half Mexican. He was not over four feet in height and had a flat nose, a stubby beard and a face badly pockmarked; and he presented, altogether, as unkempt and obnoxious an appearance as one might imagine. Pinikahti was generally attired in a well-worn straw hat, the top of which was missing, and his long, hair stuck out in clumps and snarls. A woolen undershirt and a pair of overalls completed his costume, while his toes, as a rule, protruded from his enormous boots. Unlike Viejo Cholo, Pinikahti was permitted to go unmolested by the juvenile portion of the population, inasmuch as, though half-witted, he was somewhat of an entertainer; for it was natural for him to play the flute and—what was really interesting—he made his own instruments out of the reed that grew along the river banks. Pinikahti cut just the holes, I suppose, that produced what seemed to him proper harmony, and on these home-made flutes performed such airs as his wandering fancy suggested. He always played weird tunes and danced strange Indian dances; and through these crude gifts he became, as I have said, sufficiently popular to enjoy some immunity. Nevertheless, he was a professional beggar; and whatever he did to afford amusement, was done, after all, for money. This was easily explained, for money alone would buy aguardiente, and Pinikahti had little use for anything else. Aguardiente, as the word was commonly used in Southern California, was a native brandy, full of hell fire; and so the poor half-breed was always drunk. One day Pinikahti drank a glass too much, and this brought about such a severance of his ties with beautiful Los Angeles that his absorption of one spirit released, at last, the other.
Sometime in the eventful sixties, a tall, angular, muscular-looking woman was here, who went by the singular sobriquet of Captain Jinks, a title which she received from a song then very popular, the first couplet of which ran something like this:
I'm Captain Jinks of the Horse Marines,
I feed my horse on pork and beans!
She half strode, half jerked her way along the street, as though scanning the lines of that ditty with her feet. She was strong for woman's rights, she said; and she certainly looked it.