El Palacio, Home of Abel and Arcadia Stearns
From a photograph of the seventies
The Lugo Ranch-house, in the Nineties
And now a word about the old Spanish Missions in this vicinity. It was no new experience for me to see religious edifices that had attained great age, and this feature, therefore, made no special impression. I dare say that I visited the Mission of San Gabriel very soon after I arrived in Los Angeles; but it was then less than a century old, and so was important only because it was the place of worship of many natives. The Protestant denominations were not as numerous then as now, and nearly all of the population was Catholic. With the passing of the years, sentimental reverence for the Spanish Fathers has grown greater and their old Mission homes have acquired more and more the dignity of age. Helen Hunt Jackson's Ramona, John S. McGroarty's Mission Play (in which, by the by, Señorita Lucretia, daughter of R. F. and granddaughter of Don Ygnácio Del Valle, so ably portrays the character of Doña Josefa Yorba) and various other literary efforts have increased the interest in these institutions of the past.
The missions and their chapels recall an old Mexican woman who had her home, when I came to Los Angeles, at what is now the southeast corner of San Pedro and First streets. She dwelt in a typical adobe, and in the rear of her house was a vineyard of attractive aspect. Adjoining one of the rooms of her dwelling was a chapel, large enough, perhaps, to hold ten or twelve people and somewhat like those on the Dominguez and Coronel estates; and this chapel, like all the other rooms, had an earthen floor. In it was a gaudily-decorated altar and crucifix. The old lady was very religious and frequently repaired to her sanctuary. From the sale of grapes, she derived, in part, her income; and many a time have I bought from her the privilege of wandering through her vineyard and eating all I could of this refreshing berry. If the grape-season was not on, neighbors were none the less always welcome there; and it was in this quiet and delightful retreat that, in 1856, I proposed marriage to Miss Sarah Newmark, my future wife, such a mere girl that a few evenings later I found her at home playing jackstones—then a popular game—with Mrs. J. G. Downey, herself a child.
But while Catholics predominated, the Protestant churches had made a beginning. Rev. Adam Bland, Presiding Elder of the Methodists in Los Angeles in 1854, had come here a couple of years before, to begin his work in the good, old-fashioned way; and, having bought the barroom, El Dorado, and torn down Hughes's sign, he had transformed the place into a chapel. But, alas for human foresight, or the lack of it: on at least a part of the new church lot, the Merced Theater later stood!
Two cemeteries were in existence at the time whereof I write: the Roman Catholic—abandoned a few years ago—which occupied a site on Buena Vista Street, and one, now long deserted, for other denominations. This cemetery, which we shall see was sadly neglected, thereby occasioning bitter criticism in the press, was on Fort Hill. Later, another burial-ground was established in the neighborhood of what is now Flower and Figueroa streets, near Ninth, many years before there was any thought of Rosedale or Evergreen.
As for my co-religionists and their provision of a cemetery, when I first came to Los Angeles they were without a definite place for the interment of their dead; but in 1854 the first steps were taken to establish a Jewish cemetery here, and it was not very long before the first Jewish child to die in Los Angeles, named Mahler, was buried there. This cemetery, on land once owned and occupied by José Andrés Sepúlveda's reservoir, was beautifully located in a recess or little pocket, as it were, among the hills in the northwest section of the city, where the environment of nature was in perfect harmony with the Jewish ideal—"Home of Peace."