Mr. A. A. Clarke, the well-known cat fancier, says: "I seldom wash my cats, I rather prefer giving them a good clean straw-bed, and attending to their general health and condition, and they will then very seldom require washing. I find that much washing makes the coat harsh and poor, and I also know from experience that it is 'a work of art' to wash a cat properly, and requires an artist in that way to do it. My plan is to prepare some liquid soap, by cutting a piece into shreds, and putting it into cold water, and then boiling it for an hour. I then have two clean tubs got ready, one to wash, the other to rinse in. Have soft water about blood heat, with a very small piece of soda in the washing-tub, into which I place the cat, hind-quarters first, having some one that it knows perfectly well, to hold and talk to the cat while the washing is going on. I begin with the tail, and thoroughly rubbing in the soap with my hands, and getting by degrees over the body and shoulders up to the ears, leaving the head until the cat is rinsed in the other tub, which ought to be half filled with warm soft water, into which I place the cat, and thoroughly rinse out all the soap, when at the same time I wash the head, and I then sit in front of the fire and dry with warm towels; and if it is done well and thoroughly, it is a good three hours' hard work."

I would add to the foregoing that I should use Naldire's dog soap, which I have found excellent in all ways, and it also destroys any insect life that may be present.

Also in washing, be careful not to move the hands in circles, or the hair will become entangled and knotty, and very difficult to untwist or unravel. Take the hair in the hands, and press the softened soap through and through the interstices, and when rinsing do the same with the water, using a large sponge for the purpose. After drying I should put the cat in a box lightly, full of oat straw, and place it in front of, or near a fire, at such distance as not to become too warm, and only near enough to prevent a chill before the cat is thoroughly dry.

MATING.

Yet nature is made better by no mean,
But nature makes that mean: so, o'er that art,
Which, you say, adds to nature, is an art
That nature makes.

Coriolanus, Act II. Scene I.

This requires much and careful consideration, and in this, as well as in many other things, experience and theory join hands, while the knowledge of the naturalist and fancier is of great and superlative value; yet, with all combined, anything like certainty can never be assured, although the possession of pedigree is added, and the different properties of food, health, quality, and breed understood and taken into account. Still, much may be gained by continued observation and close study of the peculiar properties of colour, besides that of form. If, for instance, a really, absolutely blue cat, without a shade of any other colour, were obtainable, and likewise a pure, clear, canary yellow, there is little doubt that at a distant period, a green would be the ultimate goal of success. But the yellow tabby is not a yellow, nor the blue a blue. There being, then, only a certain variety of colours in cats, the tints to be gained are limited entirely to a certain set of such colours, and the numerous shades and half-shades of these mixed, broken, or not, into tints, markings light or dark, as desired. To all colour arrangements, if I may so call them, by the mind, intellect, or hand of man, there is a limit, beyond which none can go. It is thus far and no further.

There is the black cat, and the white; and between these are intervening shades, from very light, or white-gray, to darker, blue, dark blue, blackish blue, gray and black. If a blue-black is used, the lighter colours are of one tint; if a brown-black, they are another.

Then in what are termed the sandies and browns, it commences with the yellow-white tint scarcely visible apart from white to the uninitiated eye; then darker and darker, until it culminates in deep brown, with the intervening yellows, reds, chestnuts, mahoganys, and such colours, which generally are striped with a darker colour of nearly their own shade, until growing denser, it ends in brown-black.

The gray tabby has a ground colour of gray. In this there are the various shades from little or no markings, leaving the colour a brown or gray, or the gray gradually disappearing before the advance of the black in broader and broader bands, until the first is excluded and black is the result.