The slums of Rio de Janeiro are on the tops of her rock hills
The English writer Southey, who wrote a six-volume history of Brazil, complained of the “tremendous ascents” and the thinness of the air on the plateau of São Paulo—with its elevation of nearly 2,500 feet! Certainly the man who has rambled about the Andes feels only gratitude for that altitude, which lifts him above the sweltering heat of the coastlands. Even to the casual observer, however, there seems no other fitting reason for founding a city at this particular spot, and one is quickly driven to printed authority to account for such taste. In 1554 the Jesuit, José de Anchietta, had gone to the town of Piratinanga to establish a school, but being dissatisfied with that village, he ordered its inhabitants, in the dogmatic Jesuit manner of those good old days, to remove to a site on the Tieté. Now the Tieté is scarcely a brook, rising on the Brazilian plateau near the Atlantic and flowing away across country to the Paraná, finally to join the Plata and pour its scanty waters into the South Atlantic. There are a dozen real rivers to the north and south of this insignificant stream and a hundred sites that would have seemed better suited to the good padre’s purpose, but the Jesuit insisted and at length the people of Piratinanga obeyed his command; and because the town that was destined to grow to be the industrial capital and the railway center of Brazil was founded on June 25, it was named St. Paul in honor of that day’s saint.
One must get some little way out of São Paulo to appreciate its situation clearly. Built on plump low hills in a rolling, treeless country, rather dry and reddish of soil, the nature of the ground gives splendid views of the town from many points of vantage, and in tramping about its environs one finds every now and then the reddish, light-colored city spread out in almost its entirety below or above him. In a general sense the city and the region about it would be called flat, yet in detail it is by no means so. The character of its site gives São Paulo an intricate network of streets, with viaducts over great gullies and street-cars passing above and under one another. The great Viaducto do Chá stands so high above the great ravine through the center of town that it is a favorite place of threatened suicide among lovesick youths.
Its unexpected position as capital and metropolis of the world’s greatest coffee-producing state has given this once bucolic country town so extraordinary a growth that the Cidade of the nineteenth century is now merely the central tangle of streets in the heart of town. From this nucleus run splendid avenues lined with a bushy species of shade-trees, and residence sections with dwellings of coffee kings, ranging all the way from sumptuous comfort to magnificent and palatial eyesores, spread away across town in various directions. São Paulo has more than half a million inhabitants, a municipal theater for opera, drama, and concerts scarcely second to any in the western hemisphere, and an up-and-coming manner which quickly establishes its claim to equality with modern cities of the temperate zone. The “Light and Power Company” runs an excellent service of open street-cars and gives the city a nightly brilliancy that is not often reached in cities of its size. Its immaculate policemen carry speckless white clubs, thrust into leather scabbards except when directing traffic. No one has ever known them to strike a man with a club, but they are at least awe-inspiring representatives of law and order.
The extraordinary activity of São Paulo is plainly due to its European immigrants,—Portuguese, Spanish, especially Italian. Whether it is because they come from the northern part of the peninsula, where sterner characters grow, or that they feel peculiarly at home in the Brazilian environment, the Italians of São Paulo stand noticeably high in the community. Many of the important business houses, some of the professions, and much of the wealth is in their hands; among the rather insignificant-looking hybrid Brazilians they are conspicuous for their better physique and greater energy. Modern and energetic though it is, however, São Paulo swarms with non-producers. At the stations crowds of able-bodied carregadores, paying a high municipal license and waiting most of the day in vain for an errand, try to recoup themselves by demanding a thousand reis or more for carrying the traveler’s bag across the street. The city has so many shops and hawkers and peddlers that one might easily fancy it in a densely populated country, rather than in one where land is everywhere suffering for cultivation. Countless little liquor shops are run by grasping individuals without initiative, anyone with cash or credit enough to buy a dozen bottles of liquor seeming to choose this high road to opulence. Vendors of tickets for both the national and state lotteries make day and night hideous with their uproar and crowd the principal streets with their booths; hordes of silk-clad, bejeweled French and Jewish adventuresses roll luxuriantly to and fro every afternoon in their automobiles.
The principal place of meeting for the rank and file is the Jardim da Luz, a “popular” park retreat of the German beer-garden style, well crowded of an evening, especially when a municipal or military band plays. Here, too, vendors of strong and weak drink are ubiquitous, their tables in the open air, their prices posted on the trees, yet demanding 500 reis for a glass of sweetened water, with the waiter still to be satisfied. Everyone moves with an almost tropical leisure, though there are evenings in this July midwinter when autumn garments are not out of place and not a few young fops affect overcoats. Yet São Paulo is, on the whole, a less showy town than one expects. Foreigners are so usual in any gathering that one attracts little notice. Though perhaps a majority of such a “popular” crowd is of the physically insignificant, negroid mixture common to much of Brazil, in the strolling throng may be seen every nationality from tow-headed Norwegian girls—about whom there are suggestions of the effects of a tropical climate and environment in slackening social morals among any race—to a Japanese out on the edge of the night, with a far-away-across-the-Pacific look in his cynical-inscrutable eyes out of all keeping with his commonplace “European” garb.
Every stroll beyond the city limits well repaid the dusty exertion. Evidently the year’s shipment of rain, like so many carelessly billed supplies from the North, had been carried past its destination, for the region about São Paulo was deadly dry at a season when it should have been verdant, and the newspapers reported the churches of Buenos Aires filled day and night with people praying that the celestial waterworks might be shut off. The cloud effects on the Brazilian plateau are so striking that São Paulo was perhaps more beautiful on a gray day than on a bright one when the glare brought out something of squalor. Out at Ypiranga on the bank of a tiny stream, where Emperor Pedro I gave the “cry of independence” that eventually shook Brazil free from Portugal, there is a remarkably good museum full of a wealth of historical material,—mementoes of the aboriginal inhabitants, splendid collections of the fauna of Brazil, hundreds of borboletas, or butterflies, of which the country has an incredible variety in size and color, innumerable species of beija-flores (“kiss-flowers,” or humming-birds), many pica-paos (“pick-sticks,” which are none other than woodpeckers); strange specimens of the vulture family known as João Velho (“Old John”).
Or the five-mile tramp out to Penha is no waste of time. The road passes through many market gardens of black soil in the bottomlands. Along the way are Italian husbandmen with wide heavy mattocks, Sicilian stocking-caps like the chorus of “Cavalleria Rusticana” on their heads, Egyptian water-dips on poles with American oil-cans as buckets, Gallego ox-carts with solid wooden wheels and axles that shriek along the highway, much cabbage and lettuce, a few potatoes, grapes, baskets of strawberries almost the year round. Pack-mules and the raucous cry of muleteers plodding soft-footed in the dust behind them, one person to each milk-can of a gallon or two, carrying it on his head to town, there to sell it by the cupful—no wonder milk costs its weight in silver—and much more may be seen spread out across the reddish landscape bounded by the low rolling hills, light-wooded in places and distance-blue in color, of the coast range. The town of Penha is pitched on the summit of a knoll with a striking view of São Paulo, five miles away, and a shrine to which the pious flock in great numbers. Inside the otherwise uninteresting church is an ornate Virgin who is credited with miraculous cures, and her chamber overflows with evidences of gratitude from her devotees,—hundreds of pictures by native “artists,” atrocious photographs of accidents posed for after they had taken place, that the miraculously rescued victim might carry out the promise made in the heat of fear to the Virgin, the latter always represented somewhere in the upper right-hand corner of the picture in the act of saving the devotee from appalling sudden death in the very nick of time. Here a fat man is being snatched from beneath the wheels of a heavy truck, there a baby is shown safely deposited on the fender of a street-car, or a countryman falling from his horse is landing upright with divine assistance. Far more numerous than these pictorial atrocities, however, are the wax imitations of all parts of the body. A sign on the wall announced that “only things that are decent may be shown in the miracle room,” but words have not the same meanings in different climes and races, and little was left to the imagination, though no doubt the rule cuts down appreciably the material evidences of cures. How widespread is superstition and the fostering of it even in the progressive state of São Paulo is shown by the fact that a month fills the room to overflowing. During the few minutes I was there a man brought a wax foot, a buxom young woman a breast, and a mulatto crone a hand which no doubt was meant to represent one of her own, though it was snow-white except where she had painted a red streak across the back to indicate the portion she wished, or had already had, cured. But the Virgin of Penha draws no color-line, for her own complexion is by no means strictly Caucasian, and her quadroon swarthiness no doubt gives the average of her devotees a comfortable feeling of racial propinquity.
Most famous, perhaps, of all the sights in and about São Paulo is the “Instituto Butantan,” known among the English-speaking residents as the “snake farm.” A mile walk out beyond the Pinheiros car-line brings one to this important and well-conducted establishment, first started by private initiative but now receiving government aid. On the crest of a knoll are several concrete buildings and about them scores of snake-houses, half-spherical cement structures some four feet high inclosed in sections by low walls and moats, where thousands of snakes lie basking in the sun. By Brazilian law any public carrier must transport free of charge from its place of capture to the “snake farm” of São Paulo any new species of snake discovered. There are one hundred and eighty known species of reptile in Brazil—the Portuguese word for snake, by the way, is cobra—of which ten are known to be venomous; in other words when a snake appears even in Brazil there is only one chance in eighteen that his bite is harmful, and the odds are eighteen to one that he is just a harmless fellow who wants to cuddle up in your lap for company. But the venomous ones are venomous indeed. There is the deadly cascavel, or rattlesnake, the jararaca, worst of all the jararaca de rabo branco, the jararaca with a white tail. Aside from its mere museum or “zoo” function, the “Instituto Butantan” has two very practical purposes. Three serums are made here for snakebites and sent to all parts of the republic, remedies that have saved the life of many a sertanejo dwelling in wilderness isolation back in the sertões of Brazil, where an ignorant pill-peddler, who calls himself “doutor,” but whose training as a physician is largely imaginary, sometimes appears not more than once or twice a year. The venomous snakes are required to furnish their own antidote. A uniformed negro attendant springs over the low wall and moat into an inclosure of dangerous snakes, pins one to the ground with a sort of iron cane, picks it up by the throat with his bare hands, and forces it to spit its yellowish venom into a piece of cheesecloth drawn tight over the opening of a glass receptacle. Healthy young mules are inoculated with this, and the serum produced in much the same way as smallpox vaccine.