Their great men thought and did wonderful things which are now the common property of us all. And their common folk lived in a fashion astonishingly primitive by comparison, in an ignorance which certainly was weakness and may somehow have been bliss.

That world of theirs is gone—the body and the spirit of it alike. And there remains to us, along with much of their art and their science, the hour-glass to symbolize that relentless flight of time which they feared but never tried to save; and the quaint sun-dial in our gardens, a memory of that worldly-wise old philosophy which counted only the shining hours.


CHAPTER SIX
The Clocks Which Named Themselves

Now the scene changes again, and the story shifts forward over the interval of a thousand years. As we take up the tale once more, we find ourselves in another world, amid a life as different from that ancient life of which we have been speaking as either of them is from our own life to-day.

The ancient civilization, which may be traced from Rome through Greece, Babylon and Egypt back to the dim dawn of history, is gone almost as if it had never been. For there came a period when great hordes of barbarians defeated the armies, burnt the cities, pillaged and destroyed, leaving only desolation and ruin behind them. Then followed hundreds of years of what we call the "Dark Ages,"—ages of ignorance and violence, when mankind was slowly struggling upwards again and was forming a new civilization upon the ruins of the old. Therefore, at the point we have now reached, there are no more white temples and pillared porticos and sandaled men in white tunic and toga, and marble statues in green gardens; but everywhere we find sharp roofs and towers, quaint outlines, and wild color like a child's picture-book.

There are castles with their moats and battlements, and monasteries with their cloistered arches; there are knights in armor riding, and lords and ladies gorgeous in strange garments, and monks in their dull gowns, and the sturdy peasant working in the field; and in the towns, all among peaked gables and Gothic windows and rough cobbled streets, a motley crowd of beggar and burgher and courtier, priest and clerk, doctor and scholar and soldier and merchant and tradesman—an endless variety of types, and each in the distinctive costume of his calling. And there are churches everywhere, from the huge cathedral towering like a forest of carven stone to the humble village chapel or wayside shrine, their spires all pointing up to heaven in token of the change that has come upon the life and spirit of the world.

We have come from the height of the classic period suddenly into the heart of the Middle Ages; and in the dark centuries that lie between, Christ and His Disciples have come and gone, and the religion of the Western World has changed; the old gods have perished and the saints have filled their places. And Rome has died, and Romance has been born.