HARRY FURNISS'S (EGYPTIAN STYLE). From "Punch."
LIST OF ILLUSTRATIONS.
| PAGE | |
| My Caricature of Mr. Gladstone | [Frontispiece.] |
| Initial "In." Writing my Confessions. A Visitor's Snapshot | [1] |
| My Mother | [3] |
| My Father | [5] |
| Harry Furniss, aged 10 | [6] |
| A Caricature, made when a Boy (never published). Dublin Exhibition. | |
| Portrait of Sir A. Guinness (now Lord Iveagh) in centre | [11] |
| An Early Illustration on Wood by Harry Furniss. Partly Engraved by him. | [16] |
| Sketches in Galway | [19] |
| "Judy," the Galway Dwarf | [23] |
| Phelps, the first Actor I saw | [24] |
| Mrs. Hardcastle. Mr. Harry Furniss. From an Early Sketch | [25] |
| Caricature of Myself, drawn when I first arrived in London | [30] |
| Age 20 | [35] |
| A successful "Make-Up" | [36] |
| Two Travellers | [38] |
| The Duke of "Broadacres" | [40] |
| Savage Club House Dinner. From a Sketch by Herbert Johnson | [41] |
| The Earl of Dunraven as a Savage | [42] |
| "Another Gap in Our Ranks" | [43] |
| "Jope" | [43] |
| H. J. Byron | [44] |
| A Presentation | [45] |
| Savage Club. My Design for the Menu, 25th Anniversary Dinner | [47] |
| "Savages" | [50] |
| Letter from Sir Spencer Wells | [51] |
| Distress in the Black Country | [54] |
| At the Oxford and Cambridge Boat Race | [55] |
| As Special at the Balaclava Celebration | [57] |
| Distress in the North | [59] |
| Realism! | [61] |
| "The Caitiff" and Orlando | [62] |
| An Invitation | [63] |
| At a Fancy Dress Ball | [65] |
| Lewis Wingfield as a Street Nigger Home from the Derby | [67] |
| "The Liberal Candidate" | [68] |
| Sketches at the Liverpool Election: A Ward Meeting | [69] |
| My Easel. Drawing Mr. Gladstone at a Public Meeting | [71] |
| The American Sunday Papers | [72] |
| Major Handy | [74] |
| The World's Fair, Chicago. A "Special's" Visit | [75] |
| "On dashed the Horses in their wild Career" | [77] |
| Initial "A" | [79] |
| The Charnel-House. Chicago World's Fair | [80] |
| Initial "London" | [83] |
| The Bishop of Lincoln's Trial | [85] |
| Initial "If" | [88] |
| Majuba Hill | [89] |
| Canon Liddon. A Sketch from Life | [92] |
| Letter from Sir Walter Besant | [94] |
| The Late Sir Walter Besant | [95] |
| The "Jetty" | [95] |
| Illustration for "The Talk of the Town" | [96] |
| "That's just what I have done!" | [98] |
| Specimen of James Payn's Writing | [99] |
| The Typical Lovers in Illustrated Novels | [100] |
| Initial "T" | [101] |
| Instructions in a Letter from Lewis Carroll | [103] |
| Specimen of Lewis Carroll's Drawing and Writing | [106] |
| Original Sketch by Lewis Carroll of his Charming Hero and Heroine | [107] |
| Lewis Carroll's Note to me or a Pathetic Picture | [108] |
| Sylvie and Bruno. My Original Drawing for Lewis Carroll | [110] |
| I Go Mad! | [111] |
| From Lewis Carroll | [112] |
| "I do want a Wicket-keeper!" | [113] |
| Portion of Letter from Lawrence, age 9 | [114] |
| Reduction from a Design for my "Romps" | [115] |
| Portion of a Letter from George du Maurier | [117] |
| A Transformation | [119] |
| "Yours always, Barnard" | [119] |
| Barnard and the Models | [120] |
| "I sit for 'Ands, Sir" | [121] |
| The Grand Old Hand and the Young 'Un | [122] |
| My Fighting Double | [124] |
| Specimen of Mr. Linley Sambourne's Envelopes to me | [125] |
| Cheque for 5½d. passed through two Banks and paid. I signed it | |
| backwards, and it was cancelled by Clerk backwards | [127] |
| Sir Henry Irving writes his Name backwards | [128] |
| Sir Henry Irving's Attempt | [128] |
| Mr. J. L. Toole's first Attempt | [128] |
| Mr. J. L. Toole's second Attempt | [128] |
| Autograph: Harry Furniss | [129] |
| Initial "If" | [131] |
| The Studio of a Caricaturist | [132] |
| Caricature of me by my Daughter, age 15 | [134] |
| A serious Portrait—from Life | [135] |
| Initial "H" | [136] |
| "Penguin" | [139] |
| Mr. Brown, Ordinary Attire. Court Dress | [139] |
| Two Portraits | [140] |
| A Caricature | [140] |
| Not a Caricature | [140] |
| The Editor of Punch sits for his Portrait | [144] |
| A Model unawares and the Result | [145] |
| Sketch on a Shirt-Cuff | [146] |
| "Mundella" | [147] |
| Mr. Labouchere | [149] |
| The M.P. Real and Ideal | [150] |
| The Photo. As he really is | [151] |
| "Dizzy" (Beaconsfield) and Gladstone | [154] |
| The Inner Lobby of the House of Commons | [156] |
| Explanation to Illustration on page 156 | [157] |
| Lord Beaconsfield. A Sketch from Life | [158] |
| The last Visit of Lord Beaconsfield to the House | [161] |
| Mr. Gladstone. A Sketch from Life | [163] |
| Mr. Gladstone "under his Flow of Eloquence" | [165] |
| Mr. Gladstone. Conventional Portrait | [167] |
| Caricature of the Holl Portrait | [169] |
| Note of Mr. Gladstone made in the Press Gallery with the wrong | |
| end of a Quill Pen | [171] |
| Invitation to a "Sandwich Soirée" | [173] |
| Mr. Gladstone sits on the Floor | [174] |
| The Fragment of Punch Mr. Gladstone did not see | [175] |
| The Gladstone Matchbox | [176] |
| Mr. Gladstone's Collars | [178] |
| Parnell | [179] |
| To Room 15 | [182] |
| Outside Room 15 | [183] |
| Outside my Room | [185] |
| "The G.O.M." and "Randy" | [185] |
| Mr. Louis Jennings | [186] |
| Lord Randolph and Louis Jennings | [188] |
| Lord Randolph Churchill | [189] |
| Behind the Speaker's Chair | [190] |
| Initial "S" | [191] |
| Initial "H" | [193] |
| Bradlaugh Triumphant. From "Punch" | [194] |
| Charles Bradlaugh | [195] |
| The Meet at St. Stephen's | [197] |
| Sir George Campbell | [199] |
| Heraldic Design illustrating Mr. Plunkett's (now Lord Rathmore) Joke | [201] |
| Mr. Farmer Atkinson | [202] |
| I must Introduce you to Lucy. Here he is | [203] |
| Joseph Gillis Biggar | [204] |
| Initial "I" | [206] |
| The House of Commons from Toby's Private Box | [208] |
| The Government Bench—before Home Rule | [211] |
| Reduction of one of my Parliamentary Pages in Punch | [214] |
| Initial "T" | [215] |
| Age 26, when I first worked for Punch | [216] |
| My first Meeting with the Editor of Punch | [217] |
| My first Invitation from Punch | [218] |
| A Letter from Charles Keene, objecting to an Editor interviewing him | [219] |
| "Robert" | [220] |
| George du Maurier | [221] |
| Suggestion by du Maurier for Punch Cartoon | [224] |
| Du Maurier's Souvenir de Fontainebleau. From "Punch" | [225] |
| Punch Staff returning from Paris | [227] |
| Japanese Style | [229] |
| "Birch—His Mark" | [231] |
| Chinese Style. From a Drawing on Wood | [232] |
| Familiar Faces | [234] |
| An Official in the Press Gallery | [235] |
| "He spies me" | [236] |
| "What are you?" | [236] |
| "Blowed if the Country wants you" | [238] |
| "I feel smaller!" | [241] |
| The Black Beetle | [242] |
| The Sergeant-at-Arms' Room | [243] |
| Capt. Gosset, late Sergeant-at-Arms | [244] |
| My "Childish" Style in Punch | [245] |
| A simple Document | [246] |
| I Sketch the House | [247] |
| Dr. Percy. "The House Up" | [250] |
| Mr. Punch's Puzzle-Headed People. Mr. Goschen | [251] |
| Mr. Punch's Puzzle-Headed People. "All Harcourts" | [252] |
| The New Cabinet | [255] |
| Reduction of Page in Punch, showing that my Caricatures were—in this | |
| case—published too large | [258] |
| Reduction from the Original Drawing, showing that I gave Instructions for the Caricature to be | |
| "reduced as usual" | [259] |
| What really happened | [261] |
| Dr. Tanner | [262] |
| Assault on me in the House. What the Press described | [263] |
| John Burns | [265] |
| Note from Sir Frank Lockwood, after reading the Bogus Account of the "Assault" | [266] |
| Letter supposed to come from Lord Cross. (Lockwood's Joke) | [267] |
| Sir F. Lockwood | [269] |
| Lewis Carroll's Suggestion, and my sketch of it in Punch | [270] |
| Nature's Puzzle Portrait | [271] |
| Initial "W" | [272] |
| "Three Oarsmen under a Tree" | [273] |
| Lord Russell's Acceptance to dine with me | [275] |
| "It's your Turn next" | [277] |
| Letter from Sir Frank Lockwood | [277] |
| Mr. Linley Sambourne | [278] |
| Portrait of me as a Member of the Two Pins Club, by Linley Sambourne | [279] |
| The late Lord Russell, the President of the Two Pins Club | [280] |
| "Furious Riding." Sketch by F. C. Gould | [282] |
| My Portrait, by F. C. Burnand | [285] |
| Mr. Punch "doing" the Picture Shows | [286] |
| The Picture Shows. Design from Punch | [288] |
| "The World-Renowned and Talented Barnardo Family" | [289] |
| The Great Baccarat Case. My Sketch in Pencil made in Court, and | |
| Congratulatory Note from the Editor of Punch | [291] |
| Letter from Professor Herkomer | [293] |
| A Prisoner | [294] |
| "Good Advertisement." Original Idea as sent to me | [297] |
| Ditto. My Drawing of it in Punch | [297] |
| "English Waterproof Ink" | [299] |
| I sit for John Brown | [300] |
| A Crib by an American Advertiser | [301] |
| Finis | [302] |