THE M.P. REAL AND IDEAL.
"'That may be so,' replied H. F., 'but mark my words, after a session or two, my comic sketches of the Members—for which, by the way, the specimens you are looking at are merely notes, and which you are now good enough to call faithful portraits—will become so familiar to you that they will cease to amuse you. And you may even come to pronounce them gross libels. In other words, you will find that their frequent repetition will rob them in your eyes of their comic character altogether, just as in the case with the attendants at the Zoo, on whose faces you will fail to detect the ghost of a smile at the most outrageous pranks of the monkeys, although you shall see everyone else in the place convulsed with laughter.'"
"But surely, Mr. Pencil," argued the Pen, "you lose friends by caricaturing them?"
"Not those who are worthy of friendship," replied the Pencil, with a solemn air. "And those who cannot take a joke are not worthy of it. H. F. is not a portrait painter. It makes the lead turn in my case to witness the snobbishness which exists nowadays among certain thin-skinned artists and writers. The Society grub has eaten the heart out of all true artistic ambitions. An honest satirist has no chance nowadays. He must not draw what he sees, or write what he really thinks about it. Pleasing wishy-washiness is idolised, whilst Hogarth is voted coarse. Great Scott! How this age of cigarettes and lemon squash would have stirred the pulse and nerved the brush of the greatest of English caricaturists!"
THE PHOTO.
AS HE REALLY IS.
Then as the Pencil wiped away a tear of regret for the decadence of English satirical art the Pen jotted down the following lines culled from the old tomb-stone at Chiswick: