"They always move at night," said my guide. "The women do all the carrying, and this is in a country where woman reigns soopreme, too!"
Next comes a youth with a crutch.
"One of the cleverest thieves in the city. No one suspects him—guess his crippling is his fortune."
I should like to tell you of other interesting people I saw, of my perambulations through Baxter Street, the Jewish quarter, of the visits to the joss house, opium joint, grocery stores, halls of dazzling delight, and dens of iniquity I made that night. I had my sketches and notes before me to continue this chapter, when I received a New York paper. In it I discovered an illustrated article headed "In His Own Black Art," purporting to be an account of my visit to the slums with a detective. After reading it I laid down my pen and took up my scissors, I felt it impossible to disclose any more. The rest I leave to my shadower on that occasion, reproducing also some of the sketches this "faithful copper-fastened distorter of features" set down, with many thanks to him and a sincere wish that his headache is better.
IN AN OPIUM JOINT.
"IN HIS OWN BLACK ART.
"Mr. Furniss writes very cleverly, it should be said. He writes good London English, for he, like many of 'the infernally good fellows' of Fleet Street, 'don't you know,' believes that the vernacular is only written in its virgin purity in that city. However, let that pass.
"But there was one thing that I couldn't consent, even as his friend, to overlook. Mr. Furniss was determined to go 'slumming.' He had letters to several members of the police department, but the friends who had given these valuable credentials had evidently selected only the captains of the highly respectable precincts. Of course, they could not imagine that Mr. Furniss would want to visit the joss house and opium joints of Chinatown. Nobody would, to look at him. And yet, in his tireless study of 'American' character, he penetrated even these mysteries.