In the seventeenth century parliamentary attendance and eloquence were equally poor. Not only did many members speak indifferently; at times there would be long intervals of silence when members did not speak at all. "A pause for two or three minutes," ... "The House sat looking at each other,"[323] are some of the entries in the reports which must strike the modern mind, accustomed to the present House of Commons, as peculiar. Steele described the House of his day as being composed of silent people oppressed by the choice of a great deal to say, and of eloquent people ignorant that what they said was nothing to the purpose.[324]
It was not until the Georgian age that parliamentary oratory reached its heyday. Then, too, speeches began to lengthen, and by the time Lord North became Prime Minister it was not unusual for a member to address the House for two or three hours on end. Lord Brougham once spoke for six hours on the amendment of the law. Even in Walpole's day occasional prolixity was not unknown. One Hutcheson, member for Hastings, when the Septennial Bill of 1716 was under discussion, made a speech of which the summary fills more than twenty-five pages of the Parliamentary History.[325] Again, when David Hartley, a notorious bore, rose to speak one day, Walpole went home, changed his clothes, rode to Hampstead, returned, changed once more, and came back to the House to find this tiresome member still upon his legs.[326]
Chatham was the first statesman to make a habit of delivering long speeches. The practice was never popular, and has now fallen into desuetude. The rising to his feet of a tedious member has ever been the signal for the House to clear as though by magic. Sergeant Hewitt, member for Coventry in 1761, was a well-known parliamentary emetic. "Is the House up?" asked a friend of Charles Townshend, seeing the latter leaving St. Stephen's Chapel. "No," replied Townshend, "but Hewitt is!"[327] The departure of his audience is, however, a hint to which the habitual bore is generally impervious. A dull and lengthy speaker, addressing empty benches in the House of Commons, whispered to a friend that the absence of members did not affect him, as he was speaking to posterity. "If you go on at this rate," was the unkind reply, "you'll see your audience before you!"[328]
When Gladstone brought in his first Budget in 1853 he spoke for five hours. He had been advised by Sir Robert Peel to be long and diffuse, rather than short and concise, seeing that the House of Commons was composed of men of such various ways of thinking, and it was important to put his case from many different points of view so as to appeal to the idiosyncrasies of each.[329] In the days of his Premiership, however, Gladstone's speeches were considerably shortened, and even the introduction of so momentous and intricate a measure as the Home Rule Bill of 1886 was accomplished in three and a half hours. Lengthy speeches are no longer fashionable, though Mr. Biggar spoke for four hours on a famous occasion in 1890, and Mr. Lloyd George occupied the same time in unfolding the much-discussed Finance Bill of 1909.
Though the oratorical masterpieces of the past may, for the most part, be dull reading, to the student or historian they must always prove interesting and instructive, as revealing those peculiar qualities which appeal to a parliamentary audience. They explain to a certain extent what it is that a speech must possess in order to meet with the approval of either House.
Parliament—and more especially the House of Commons—is no very lenient critic; but it is a sound one. It pardons the faults of style or manner due to inexperience; it tolerates homeliness that is the outcome of sincerity. It has a keen eye for motives, and anything pretentious or dishonest is an abomination to it. Matter is of far greater importance than manner, and Parliament agrees with Sir Thomas More that whereas "much folly is uttered with pointed polished speech, so many, boisterous and rude in language, see deep indeed, and give right substantial counsel."[330] Sincerity, in fact, has far more influence in the House of Commons than either brilliancy or wit, and any attempt at platform heroics is certain to fail. There is nothing the House is so fond of, Sheil used to say, as facts.[331] There is nothing it so much resents, we might now add, as violations of good taste. This fastidiousness is no doubt of modern growth, for we find Burke's coarseness readily condoned, and Sheil himself lapsing into occasional vulgarity.[332]
Like all assemblies of human beings, Parliament has always welcomed an opportunity for laughter. In the House of Commons the poorest joke creates amusement; the man who sits upon his hat at once becomes a popular favourite; a "bull" is ever acceptable. When Sheridan, in 1840, attacked another member, saying, "There he stands, Mr. Speaker, like a crocodile, with his hands in his pockets, shedding false tears!" the House rocked with laughter.[333] Yet the phrase did not originate with Sheridan, but was one of the many "bulls" that had been coined by that prince of bull-makers, Sir Boyle Roche. It was Roche who declared that he could not be in two places at once "like a bird"; who attempted to "shunt a question by a side-wind"; and announced that he was prepared to sacrifice not merely a part but the whole of the Constitution to preserve the remainder! "What, Mr. Speaker!" he inquired on a famous occasion in the Irish House of Commons, "are we to beggar ourselves for fear of vexing posterity? Now, I would ask the honourable gentleman, and this still more honourable House, why we should put ourselves out of our way to do anything for posterity; for what has posterity done for us?"[334]
"The House loves good sense and joking, and nothing else," said Sir T. F. Buxton, in 1819; "and the object of its utter aversion is that species of eloquence which may be called Philippian."[335] Sentimentality of any kind is rarely tolerated in Parliament, as may be seen by the indifference with which Burke's dagger and Lord Brougham's melodramatic prayer were greeted. When Bright, during the Crimean War, delivered himself of that famous phrase, "The Angel of Death has been abroad throughout the land; you may almost hear the beating of its wings!" it was a question as to how members would take so sentimental a simile. Had the speaker substituted the word "flapping" for "beating," as Cobden afterwards observed to him, they would have roared with laughter.
The House of Commons, as a writer has remarked, is a body without any principles or prejudices, except against bores. "He who comes to it with a good reputation has no better chance than he who besieges it with a bad one. It rejects all pretensions it has not of itself justified, and all fame it has not itself conferred."[336] It has, indeed, always been remarkable for a great reluctance in confirming reputations for oratory gained elsewhere. Wilkes could sway the populace with his grandiloquent declamations, but failed ignominiously in Parliament; Kenealy was refused a hearing. The chastening effect of the Lower House is notorious, and many a conceited, self-opiniated individual has found his level after a brief course of subjection to what Sir James Mackintosh called the "curry-comb of the House of Commons."[337]
Besides bores and demagogues, of which it is justly intolerant, the House of Commons may at one time be said to have numbered lawyers among its pet aversions. The latter are apt to lecture their fellow-members as though they were addressing a jury, explaining the most patent facts, and generally assuming a didactic air which the House finds it difficult to brook.[338] This perhaps explains the failure of such distinguished men as Lord Jeffrey and Sir James Mackintosh, both eloquent lawyers who made little or no mark in Parliament, and of many other "gentlemen of the long robe," as Disraeli contemptuously called them.