Lucy and Maud joined Roger in the spring of 1892 and after four years' happy life in this curiously secluded region—so cut off as it was from African troubles, from wars between Arabs and Europeans raids of tribe upon tribe, risings against the Germans, squabbles with British pioneers—are now preparing to return to England. Lucy has had two more children one born in 1893 and the other in 1895. She is anxious to take them both home and place them in safety there; at the same time she hungers for a sight of the older two whom she has not seen for over four years. She is in fact a prey to that divided allegiance which has so often marred the happiness of the wives of men engaged in Indian or African work: a desire to be with their husbands, and yet an anxiety about the health and bringing-up of their children in a barbaric environment. The Stotts consider they have solved this question by parting with their oldest child and letting their other children run the African risks and grow up—if they survive—with only an African outlook. They are true colonists in intention. But settlers like the Brenthams always envisage an eventual retreat to the home country and an English education for their children.
They are assembled on the open ground beyond the garden of their house in Iraku, to take leave of their German associates in the Concession: Herr Treuherz Hildebrandt (whose sentimental fore-name is usually disguised under the initial T) and Dr. Wolfgang Wiese. Hildebrandt is the mining engineer who is ascertaining the mineral wealth of the mountain region bordering on the Happy Valley; Dr. Wiese, besides being in case of need the physician and surgeon of the little European community, is a very clever analytical chemist, botanist, zoologist and horticulturist, one of those all-round men that Germany so often produced before the war and so often contributed in still earlier days to the opening up of the British Empire. He has arrived in haste from his dwelling a mile distant to bid farewell to the gracious Mrs. Brentham. Wiese is spectacled and bearded, a little shy in manner with strangers, and inclined to melancholy when his thoughts turn to the young wife who accompanied him to Africa about the time that Lucy and Maud came out to join husband and brother. Less fortunate than they, she had died from an attack of coast fever. Thereafter he had found some mitigation of his loneliness in the pleasant home created by Lucy and Maud, so that he regards them with affection and thinks they must be the very best type of British women. As, however, he has work in progress at his laboratory of crucial importance, his farewells are prompt and soon concluded.
But his colleague, the mining engineer Hildebrandt, stays longer, being very loath to part with Maud Brentham. He is tall, passably handsome, soldierly, well-knit, a lint-white blond with violet-grey eyes like Lucy's. Though he comes from Saxony he is more of the Friesland type, in the contrast between his straw-yellow hair (mostly shaved to stubble, it is true) and his dark-grey eyes. He has the further attraction to which many women would succumb in being very musical (out of business hours). In those days before gramophones he was a welcome guest for the music which welled up in his brain and poured from his fingers. Roger had managed with infinite difficulty to import and carry up on an ox-cart a cottage piano of German make, and on this instrument Hildebrandt would waft his listeners to other scenes—of far away and long ago—with his waltzes, sonatas, minuets, marches, and songs without words, sometimes playing by ear with that wonderful musician's memory; sometimes, when he took things seriously, from the enormous supply of printed music which a sympathetic company had allowed him to carry up-country.
A year after their first meeting he had proposed to Maud, and had renewed this offer of marriage on two other occasions. But she had been firm in her refusal, though she appreciated his good looks and frank manliness, and almost loved him for his music. But she declared the difference in their ages—twelve years—was an insuperable objection; secondly she did not wish to marry, so that she might always live with Roger and Lucy and their children. If they failed her she would make a career of her own—become a New Woman and agitate for women's rights. "On top of all that, nothing would induce me to live in Germany, though I've no doubt you are in the right, and it's the finest country in the world. But I'm so interested in watching English developments. When we have finished with Africa and made our pile we're going to settle at home and improve our own country."
"Well then, if you'll marry me, I'll go and live in England with you...."
But Maud has remained obdurate. In spite of this they have settled down in course of time, and in battling together against the anxieties, difficulties, and dangers of African colonization, into very good comrades. Maud and Roger and even Lucy all speak German to some extent, and the Germans of the Concession have an even greater facility in English. Conversation is often a medley of both languages and much laughter at each other's mistakes. Lucy contributes to the common stock of entertainment very little in the way of talent. She is naturally fond of music: sweet melodies, deep harmonies bring the tears into her eyes; gay tunes make her want to dance; but she is no musician and no dancer. Maud has a pleasant contralto voice and is a good accompanist. Lucy's water-colour painting has long since been given up as a futility in this age of universal talent. But she makes botanical collections now with some deftness and ability under the instruction of Dr. Wiese, whom in this direction she really helps. Yet considering she has borne four healthy children in six years of marriage no one can ask much from her in the way of accomplishment in the arts; and by the time she has attended to her offspring's needs with the perfunctory help of Halima—herself saddled with two brown hybrids, bearing extravagant Portuguese names—mended their clothes and her husband's, and her own, and generally directed the housekeeping, it is felt she has done her duty to the little community. Nevertheless though she is not particularly witty, original, or wise, and has no great physical attraction for any one but her husband, and is prone at times to be silent with a gentle melancholy, she has an inherent gift for making people feel at home. She has a capacity for listening unweariedly to the longest stories, and is a sympathetic confidant to any one in trouble.
So Bergwerksingenieur Hildebrandt said good-bye to her with nearly as much sentiment as infused his voice and his hand-grip when he took leave of his liebste Kamerad, "Meess Mowd" (Maud always said that his pronunciation of her name robbed his courtship of all romance). He looks indeed so sad at parting from these two dear Englishwomen that Maud is nearly tempted to kiss him; only that he might have misconstrued her motherliness.
The two children in the early morning—it is just after sunrise—are laughing and crowing with the excitement of the forming safari and the coming start. The three-year-old boy, Ambrose, is named after his grandfather; the baby girl has been called Sibyl at her mother's request. In all probability Lucy had never even so much as suspected that there was more than cousinly affection between her husband and Lady Silchester: it would have taken something like ocular evidence to make her doubt Roger's fidelity. At first Sibyl had frightened and humbled her, but during the last year of their association, at Engledene, she had been coolly kind and had shown something like gratitude for Lucy's care of her ugly fretful little boy. Before Lucy had left to rejoin her husband in East Africa, Sibyl had said: "I expect you'll have a lot more children. If you have another girl, call it by my name. I should like to be associated with a child of Roger's. Promise? Very well then: in return I'll give an eye to little John and fat Maud whilst you are in Africa. Indeed I cannot see why they shouldn't move over here from Aldermaston, when your own people get tired of them; and share Clithy's nursery.... At any rate come here on visits, and if they quarrel it will do Clithy a world of good. His nurses give him too much sense of his own importance."
So there was at least this pleasant thing for them to look forward to, even though Lucy's eyes were wet with tears at leaving Iraku. Engledene Lodge as well as Church Farm would be open to them. Sibyl, more ambitious than ever of cutting a dash, playing a part in modern history, rivalling Lady Feenix, revenging herself for snubs by the Brinsley clan, lived much in London and gave up Engledene to the quiet bringing-up of her only child. When she went down there it was to rest and repair her beauty, to transact humdrum estate business with Maurice Brentham. Except for the autumn shooting parties she entertained very little at Engledene. It was in Scotland and above all in London that she played the lavish hostess and sought to undermine Cabinets and bring a new recruit to the Opposition.
She was now thirty-four, and when animated only looked twenty-six. Rumour had assigned her several love affairs, which out of England—on the Riviera, at Paris, at Rome—were said to have been carried to the borders of indiscretion. It had even been announced that "a marriage had been arranged and would shortly take place," etc., between Lady Silchester and Sir Elijah Tooley—but the announcement had been promptly contradicted, and a month after occurred the first resounding crack in the Tooley edifice....