He played over and over now a plaintive little air of minors that put a gentle appeal through two closed doors. It is one he plays a great deal. He has told me its meaning. He says—speaking with a not unpleasant condescension—that this little tune will mean: "Life comes like a bird-song through the open windows of the heart." It sounds quite like that and is a very satisfying little song, with no beginning or end.

He played it now, over and over, wanderingly and at leisure, and I pictured his rapt face above the whining fiddle; the face, say, of the Philosopher Mang, sage of the second degree and disciple of Confucius, who was lifted from earth by the gods in a time we call B.C. but which was then thought to be a fresh, new, late time; the face of subtle eyes and guarded dignity. And I wondered, as I had often wondered, whether Lew Wee, lone alien in the abiding place of mad folks, did not suffer a vast homesickness for his sane kith, who do not misspend their days building up certain grotesque animals to slaughter them for a dubious food. True, he had the compensation of believing invincibly that the Arrowhead Ranch and all its concerns lay upon his own slightly bowed shoulders; that the thing would fast crumble upon his severance from it. But I questioned whether this were adequate. I felt him to be a man of sorrow if not of tragedy. Vaguely he reached me as one who had survived some colossal buffeting.

As I mused upon this Ma Pettengill sorted the evening mail and to Lew Wee she now took his San Francisco newspaper, Young China, and a letter. Half an hour later Lew Wee brought wood to replenish the fire. He disposed of this and absently brushed the hearth with a turkey wing. Then he straightened the rug, crossed the room, and straightened on the farther wall a framed portrait in colour of Majestic Folly, a prize bull of the Hereford strain. Then he drew a curtain, flicked dust from a corner of the table, and made a slow way to the kitchen door, pausing to alter slightly the angle of a chair against the wall.

Ma Pettengill, at the table, was far in the Red Gap Recorder for the previous day. I was unoccupied and I watched Lew Wee. He was doing something human; he was lingering for a purpose. He straightened another chair and wiped dust from the gilt frame of another picture, Architect's Drawing of the Pettengill Block, Corner Fourth and Main streets, Red Gap, Washington. From this feat he went softly to the kitchen door, where he looked back; hung waiting in the silence. He had made no sound, yet he had conveyed to his employer a wish for speech. She looked up at him from the lamp's glow, chin down, brows raised, and eyes inquiring of him over shining nose glasses.

"My Uncle's store, Hankow, burn' down," said Lew Wee.

"Why, wasn't that too bad!" said Ma Pettengill.

"Can happen!" said Lew Wee positively.

"Too bad!" said Ma Pettengill again.

"I send him nine hundred dollars your money. Money burn, too," said Lew
Wee.

"Now, now! Well, that certainly is too bad! What a shame!"