And still, so incredible the revealment, he had not in the first shock of it seemed to consider Baird in any way to blame. Baird had somehow been deceived by his actors. Yet a startling suspicion was forming amid his mental flurries, a suspicion that bloomed to certainty when he saw himself the ever-patient victim of the genuine hidalgo spurs.
Baird had said he wanted the close-ups merely for use in determining how the spurs could be mastered, yet here they were. Merton Gill caught the spurs in undergrowth and caught them in his own chaps, arising from each fall with a look of gentle determination that appealed strongly to the throng of lackwits. They shrieked at each of his failures, even when he ran to greet his pictured sweetheart and fell headlong. They found the comedy almost unbearable when at Baird’s direction he had begun to toe in as he walked. And he had fallen clumsily again when he flew to that last glad rendezvous where the pair were irised out in a love triumphant, while the old mother mopped a large rock in the background. An intervening close-up of this rock revealed her tearful face as she cleansed the granite surface. Above her loomed a painted exhortation to “Use Wizard Spine Pills.” And of this pathetic old creature he was made to say, even as he clasped the beloved in his arms—“Remember, she is my mother. I will not desert her now just because I am rich and grand!”
At last he was free. Amid applause that was long and sincere he gained his feet and pushed a way out. His hoarse neighbour was saying, “Who is the kid, anyway? Ain’t he a wonder!”
He pulled his hat down, dreading he might be recognized and shamed before these shallow fools. He froze with the horror of what he had been unable to look away from. The ignominy of it! And now, after those spurs, he knew full well that Baird had betrayed him. As the words shaped in his mind, a monstrous echo of them reverberated through its caverns—the Montague girl had betrayed him!
He understood her now, and burned with memories of her uneasiness the night before. She had been suffering acutely from remorse; she had sought to cover it with pleas of physical illness. At the moment he was conscious of no feeling toward her save wonder that she could so coolly have played him false. But the thing was not to be questioned. She—and Baird—had made a fool of him.
As he left the theatre, the crowd about him commented approvingly on the picture: “Who’s this new comedian?” he heard a voice inquire. But “Ain’t he a wonder!” seemed to be the sole reply.
He flushed darkly. So they thought him a comedian. Well, Baird wouldn’t think so—not after to-morrow. He paused outside the theatre now to study the lithograph in colours. There he hurled Marcel to the antlers of the elk. The announcement was “Hearts on Fire! A Jeff Baird Comedy. Five Reels-500 Laughs.”
Baird, he sneeringly reflected, had kept faith with his patrons if not with one of his actors. But how he had profaned the sunlit glories of the great open West and its virile drama! And the spurs, as he had promised the unsuspecting wearer, had stood out! The horror of it, blinding, desolating!
And he had as good as stolen that money himself, taking it out to the great open spaces to spend in a bar-room. Baird’s serious effort had turned out to be a wild, inconsequent farrago of the most painful nonsense.
But it was over for Merton Gill. The golden bowl was broken, the silver cord was loosed. To-morrow he would tear up Baird’s contract and hurl the pieces in Baird’s face. As to the Montague girl, that deceiving jade was hopeless. Never again could he trust her.