“Rather a card that will be,” I instantly cried. “Rather better class than entertaining strolling players.” Indeed the merit of the proposal rather overwhelmed me. It would be dignified and yet spectacular. It would show the Klondike woman that we chose to have contact only with artists of acknowledged preëminence and that such were quite willing to accept our courtesies. I had hopes, too, that the Honourable George might be aroused to advantages which he seemed bent upon casting to the American winds.
A week later Belknap-Jackson joyously informed me that the great artist had consented to accept his hospitality. There would be light refreshments, with which I was charged. I suggested tea in the Russian manner, which he applauded.
“And everything dainty in the way of food,” he warned me. “Nothing common, nothing heavy. Some of those tiny lettuce sandwiches, a bit of caviare, macaroons—nothing gross—a decanter of dry sherry, perhaps, a few of the lightest wafers; things that cultivated persons may trifle with—things not repugnant to the artist soul.”
I promised my profoundest consideration to these matters.
“And it occurs to me,” he thoughtfully added, “that this may be a time for Vane-Basingwell to silence the slurs upon himself that are becoming so common. I shall beg him to meet our guest at his hotel and escort him to my place. A note to my friend, ‘the bearer, the Honourable George Augustus Vane-Basingwell, brother of his lordship the Earl of Brinstead, will take great pleasure in escorting to my home——’ You get the idea? Not bad!”
Again I applauded, resolving that for once the Honourable George would be suitably attired even if I had to bully him. And so was launched what promised to be Red Gap’s most notable social event of the season. The Honourable George, being consulted, promised after a rather sulky hesitation to act as the great artist’s escort, though he persisted in referring to him as “that piano Johnny,” and betrayed a suspicion that Belknap-Jackson was merely bent upon getting him to perform without price.
“But no,” cried Belknap-Jackson, “I should never think of anything so indelicate as asking him to play. My own piano will be tightly closed and I dare say removed to another room.”
At this the Honourable George professed to wonder why the chap was desired if he wasn’t to perform. “All hair and bad English—silly brutes when they don’t play,” he declared. In the end, however, as I have said, he consented to act as he was wished to. Cousin Egbert, who was present at this interview, took somewhat the same view as the Honourable George, even asserting that he should not attend the recital.
“He don’t sing, he don’t dance, he don’t recite; just plays the piano. That ain’t any kind of a show for folks to set up a whole evening for,” he protested bitterly, and he went on to mention various theatrical pieces which he had considered worthy, among them I recall being one entitled “The Two Johns,” which he regretted not having witnessed for several years, and another called “Ben Hur,” which was better than all the piano players alive, he declared. But with the Honourable George enlisted, both Belknap-Jackson and I considered the opinions of Cousin Egbert to be quite wholly negligible.
Saturday’s Recorder, in its advance notice of the recital, announced that the Belknap-Jacksons of Boston and Red Gap would entertain the artist on the following afternoon at their palatial home in the Pettengill addition, where a select few of the North Side set had been invited to meet him. Belknap-Jackson himself was as a man uplifted. He constantly revised and re-revised his invitation list; he sought me out each day to suggest subtle changes in the very artistic menu I had prepared for the affair. His last touch was to supplement the decanter of sherry with a bottle of vodka. About the caviare he worried quite fearfully until it proved upon arrival to be fresh and of prime quality. My man, the Hobbs boy, had under my instructions pressed and smarted the Honourable George’s suit for afternoon wear. The carriage was engaged. Saturday night it was tremendously certain that no hitch could occur to mar the affair. We had left no detail to chance.